What are your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I use pencils—I always have in my case (1) a clay eraser and a .5 mechanical pencil from Faber Castell, (2) 3H, HB, 5B and 9B Pencils from Staedtler, (3) a sharpener, and lastly, (4) a shading stump, which I just discovered recently (No more dirty index fingers from smudging). I actually have more shades of pencils but always find myself using just those four in particular.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers? All of the above? Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

The embarrassing truth is, I’m not too familiar with traditional colors. I used to just pick up any pen or pencil (I didn’t even know the shades before) then scribble like crazy the first thing that comes to mind. I had no formal art education unless you count the short-lived basic cray-pas coloring that I tried out as a kid, so I wasn’t “introduced” to the different traditional coloring media. I always do my colors digitally with a pen tablet and Adobe Photoshop or Adobe Illustrator. I would really like to learn watercolor and acrylics (and I will, sooner or later). I’ve used colored pencils, that I was pretty good at, but I haven’t touched one for ages.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Yes, definitely. I try to find tips and inspirations everywhere, especially art exhibits/museums and the internet. Every now and then, I try and search for a new artist’s weblogs/sketchdump. I also frequent DeviantArt, CGSociety, and PencilJack.

Do you have anything you use out of the ordinary for making your art?

Yes, I basically use anything to make illustrations and other stuff. You can ask my mom, who was a little unsupportive after seeing some of my “art pieces” when I was experimenting as a kid (e.g. drawings on the floor using her flower pots, “sculptures” I would make with my food instead of eating them, etc.). I know curiosity killed the cat, but I always feel a little victorious after discovering new ways to make art or conquering a specific medium, so I just keep on experimenting.

When creating your digital art, what are the software programs you use? Is one used more than another?

I use Photoshop, Illustrator and 3D applications such as Maya, Blender, and Google Sketchup. I use mostly Photoshop—I would die without it. For a time I even stopped using pencils and did my sketches directly in the PC with a pen tablet. The 3D applications are there for support when dealing with difficult perspectives and shadows. I also make some 3D-rendered pieces from time to time.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

To be honest, I prefer to be working digitally—less dirtier and much much easier. Although recently, I have been trying to get back to using traditional pencils. Working digitally has lots of advantages, but it spoils you….a lot (think layers, undo, etc). At some point, if you’re not careful, it even pulls you down. I believe you should master traditional tools and techniques first. The computer should only aid—you shouldn’t be dependent on it.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

I would say all of the above. Ever since I found out about the internet, I was glued to it, addicted to the endless information it provided. Now that I’ve picked up the pen (and the Wacom tablet) again, I find myself constantly looking for information and inspiration on how to become a genuine, solid artist. I used to be shy and kept my artworks to myself, but I have seen people grow unbelievably fast by participating in art communities and hearing out other artists’ comments. These I think are the true benefits of the web—the accessibility and the interactivity. For a long time, I was stagnant because I had closed doors, but I’m slowly throwing my artworks to the lions (pride, shame, and other feelings aside) to grow as an artist. While the web is not a substitute, a lot of people like me who did not have formal art education can learn a lot from artists all over the world. Distraction? Yes, I love computer games and they make it so hard to focus, so I got a laptop solely for working and use my desktop for games.

Thanks Paolo!

You can find Paolo Lazatin online at The Six Thirty, a shared art weblog with Alex Lapa, and at paolaz.deviantart.com.

What are your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

My favorite tools are pencils, ballpoint pens and the Pentel brush pens with permanent ink in them, which I purchased while I was living in Japan, god, eight years ago. The Pentel permanent ink is so nice and heavily pigmented that it is really permanent. I made our address sign for the placard at our apartment door with it, and it sat in the full blaze of the Japanese summer sun for two years without a sign of fading.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

The project is usually going to dictate the medium. If the deadline is tight you need something that’s going to be dry and finished fast, especially when working with paints. For the drawing tools, it depends on what kind of mood you’re going to evoke. If I need a more uniform line weight, I’ll reach for the ball points, if I need verve, power and snap, I’m going to go with the brush pen. If I need some subtlety and variation in tone, it’ll be the pencil.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

For pens, I usually use Papermate pens. The ink comes out of them pretty readily and heavily, and I can get a wide variation out of the line/tone quality. If the ink comes out meagerly or is too liquid, you lose that play and option in the linework. You don’t need those SKG-whatevers that James Jean uses, you just need a ball point where the ink comes out easily but not too liquid. Then you can get all of that lovely “dry-pen” look that he gets.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers? All of the above?

I work a lot in oils, which are a very forgiving medium. Watercolors are also a favorite, but to work opaquely over them, I use gouache, which is some of the most unforgiving stuff out there. Mainly because the amount of color and value shift from the wet to dry paint varies widely from color to color, and when you’ve got a mix of them going on, well, you’re never perfectly sure what you’re going to end up with. But I use them anyway, and I’m getting better at predicting how they’ll curveball on me.

Do you prefer travel sets or do you need a full set of colors? If you have a different set of tools for working in your studio (or office, or home, or on the couch) and out in public (at the park, or a coffee shop), what are the differences?

I have a very portable kit that I take with me for sketching. It consists of a cloth fold-over wallet that holds several pens and pencils of different uses, and then a tin that contains a water brush pen and a small watercolor pan set. With those items I can make notations of almost anything I need to out in the field. The only difference between field work water colors and studio watercolors is that in the studio I have a wider selection of tubed gouache paints. In the field, I just mix the watercolors with Chinese White, which is just white gouache.

For plein air oil painting, I use the standard french easel and my full palette, which is a modified version of Richard Schmid’s palette. From left to right on my palette, I lay out: Ultramarine Blue, Cobalt Blue Deep, Viridian, Transparent French Red Ochre, Pyrrolo Ruby (looks like Alizarin but permanent), Cad Red Light, Yellow Ochre, Cad Yellow Deep, Cadmium Primrose (a greenish yellow) and Titanium White. (I’ll use Flake or Zinc white for special effects some times, but Titanium is the workhorse.)

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

I always have a Moleskine with me, mainly because it’s small and takes pen and pencil well. I don’t use the sketchbook version, just the plain (I get more paper that way!) For bigger sketchbooks, my wife makes them for me out of selections of nicer paper that I buy in sheets and she binds together with covers and coptic binding, which allows the pages to lie nice and flat.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or other material?

I prefer to make my own canvases, because the mass-produced ones are just generally crap: the weave of the fabric is skewed or wavy or the primer is acrylic, which is like sandpaper and can kill nice oil brushes. (I have a nice bristle bright that I used to scrub in some shadows on a 18x24” canvas and when I was done, at least two-thirds of the length was worn away.)

I do increasingly use panels, since they don’t have the give of canvas and I can be assured that when I push the brush into the panel with some force it’s not going to bend and make me miss the mark I was trying to hit. Real Gesso makes excellent panels with traditional panel gesso or oil-primed linen surfaces.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your art?

Other than correcting the photos of the artwork to match as closely as possible, not usually. Sometimes I will do some compositing to meet a deadline or accommodate some changes that an Art Director wants.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Sure! I think most artists do. I’ve tried out Rives BFK after seeing James Jean use it, but the loose nap got on my nerves. My favorite paper for ink and watercolor work these days is Annigoni paper. There’s a light tan version that has a great unifying effect on any colors that go over it and it absorbs ink in a way that makes the ink look like it’s part of the paper instead of sitting on top.

Do you have anything you use out of the ordinary for making your art?

I have some weird brushes, like Epiphanes varnishing brushes and a weird assortment of calligraphy brushes I often use for oil painting, but that’s about as “out there” as I get.

When creating your digital art, what are the software programs you use? Is one used more than another?

I use Photoshop with a Wacom tablet.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

I work digitally on certain projects like storyboards. That way they’re done quickly and are easily editable and I can make quick changes and crank out a set of 10-15 in a day.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

Computers are a great and useful tool, as long as you know what they do well and what they don’t. Promotion by computer is a necessity these days. I can’t imagine getting the word out about my art without it.

Thanks Kurt!

You can find Kurt Ankeny online at his portfolio website and weblog kurtankeny.com and on Twitter (@kurtankeny). You can find out more about the classes he teaches at ankenystudio.com.

What are your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

Pencil and paper. I like to keep things simple, with as little as possible in the way between me and the art. I construct my drawings in a non-photo blue pencil, then render them in either drawing pencil (2B & 2H) or in ink with a # 2 brush and disposable pens. From there, the work is (usually) scanned and colored digitally.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

The tools used will depend on what the finished work will be used for. Comics will usually get the ink/color treatment, while illustrated works (e.g. a book cover, CD liners) may end up as a full-on digital painting.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

I use disposable Micron pens. I used to depend on a set of Rotring Isograph technical pens that had an incredible ruler device in the lid of the case, but that set doesn’t seem to be made any more, and the other technical pens I’ve used just don’t perform as well. Microns (or any other brand of suitably dark brush pens) are quick and easy to wield, and give me a good solid ink line.

I also like to use a generic Staples brand black gel pen for sketching and looser work. It gives me a nice heavy black line, but allows me to more expressive and impulsive than do the Microns.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers? All of the above?

I like my color digital, if possible. I do use a Wacom at times, but, since I work from varied locations, I’m most comfortable with a mouse, and I love being able to manipulate photographs to add texture to my color. When I do paint a piece by hand, I prefer acrylics thinned with linseed oil (it slows the drying time and lets you work the paint better).

If you do use paints, inks, pencils or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets or do you need a full set of colors?

Winsor & Newton acrylics work just fine for me. I’ve also got a travel set of Pelikan watercolors that I’ve had forever that I sometimes use for painting backgrounds. I’ve gotten pretty good at mixing colors by hand, so I tend to work with a limited palette when I paint. I don’t have room in my studio or in my head for a wide range of colors.

If you have a different set of tools for working in your studio (or office, or home, or on the couch) and out in public (at the park, or a coffee shop), what are the differences?

My studio tools are mostly digital, excepting my drafting table. It’s a huge wooden job with a built in light table that some friends gave me for a birthday a couple of years ago, and it’s an object of pride in my studio. When working away from home, I mostly use a mechanical pencil or the Staples brand pens I mentioned earlier.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

Strathmore bristol for finished pencil or ink work. For sketchbooks, it’s a matter of what’s at hand. I’ve got sketchbooks ranging in size from about 3 inches square to 11 x 17, although if given a choice, I’d rather do my rough work on plain old bond paper. Comes from all those years spent doing phone doodles in an office environment.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or other material?

For commercial work, I prefer a nice smooth Hi-Art illustration board. I sometimes like to mix ink with watercolor with acrylics, and nothing else takes the various media quite as well. Occasionally, I’ll work on canvas board or plywood with lots of primer, but they’re exceptions.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your art?

Yes. Almost always. As I mentioned earlier, I enjoy fiddling around with photographs to add textures to my art, and a judicious use of filters can save me hours of drawing and painting time. I prefer working with The Gimp, but until they add proper CMYK support, I’ll be working with Photoshop as well.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

I use the Micron pens because a friend (Ian McDonald, creator of Bruno the Bandit recommended them to me, and I happen to really like his inking, and especially his lettering. I got the trick of using linseed oil with my acrylics from a book by Boris Vallejo, and from being very frustrated with the quick drying time, because I like to fiddle around with my colors once I’ve laid them down.

Do you have anything you use out of the ordinary for making your art?

Is Google still considered out of the ordinary for this sort of thing? For reference, there’s no better tool than Google Image Search. Also, Wikimedia Commons is the source of many a photographic texture for me. I’ve also just started using a program called Ginipic that searches various image sources like Google, Flickr, etc., but I’m still getting the hang of that one.

If you create collages, where do you get the materials and objects you use in your pieces?

I don’t do collages as such, but I will sometimes scan objects from around my house to use as textures.

When creating your digital art, what are the software programs you use? Is one used more than another?

I like working with the open source program The Gimp. I find it’s brush scaling preferable to Photoshop’s, and some of its filters work well for me. There are some little interface tweaks in there that I prefer, but that may just be because I’m more used to them. Also, I’ve collected a nice assortment of Gimp brushes from Deviantart and haven’t found Photoshop replacements for all of them yet. If I know that the piece is going to be used digitally, or if CMYK does not matter, I’ll use The Gimp to complete the project. Otherwise, I’ll very often build up most of the piece in Gimp, then export it as a .psd and finish it off with a CMYK conversion and some color adjustments in Photoshop.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

The last couple of years, I’d say about 90% of my work is finished digitally, although it always starts out on the drawing board. I love the tactile immediacy of pencils, pens and brushes, but I also like the speed and intricacy of digital work, so it’s a tossup which I prefer. I work in digital more because that’s where my market is. Most of my clients approach me online, and the work is delivered to them via email or online storage services.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

For me, the computer is absolutely indispensible. It’s a sales tool, a communications device, and a production shop all in one. The internet is the largest swipe file and reference book you’ve ever seen, and the availability of so many free tools for writing, art production and self-promotion has significantly lowered the cost of getting your work out to the public.

It can also be quite a distraction if you allow yourself to get lost in surfing the net or tweaking out your system, but that’s a test of the discipline of the artist. Any tool is only as good as your use of it.

Thanks Mike!

Mike Dominic can be found online at his weblog paladinfreelance.com. His older webcomics can be seen at “The Journals of Simon Pariah” and guest stories at Bruno the Bandit.

What are your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

At the moment, I am in love with graphite pencils, specifically a 4B woodless and even mechanical. I will also always have a soft spot for charcoal, especially vine and my trusty 6B General’s charcoal pencil.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

The tool I use really depends on my ultimate desired effect. If it is going to ba full vaue study, I will use different tools than a more contour-driven composition. Time would also be a factor.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers? All of the above?

I like my color stuffed into an oil paint tube. I have experimented with the others and I just prefer working with oils. I like the versatility, drying time and surface effects. Acrylic and watercolor are my go to tools for flat color projects, but anything that is modeled, I have to go with full body oils.

If you do use paints, inks, pencils or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets or do you need a full set of colors?

At the beginning of my career, my paints were chosen by economic considerations-the cheapest available. But has time has passed, I do realize the value of investing in your tools. I do not use one uniform brand, but I do like Holbein and Gamblin.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

I will draw on anything, but if I have the option, I like to draw on Bristol board (smooth).

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or other material?

I love to do portrait work on Linen, but I have also had really good experiences painting on panel, mostly Masonite. I like to buy a large sheet and then cut it done to a variety of sizes. then I brace it, gesso and go.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

I have tried it before and usually come away with an even greater appreciation of that artists’ use of the material because my attempts were primitive at best.

If you create collages, where do you get the materials and objects you use in your pieces?

Lately, I have been experimenting with collage elements within my drawings. I like using mylar as a drawing surface so I can play with layers of transparecny. Mostly I use patterned paper or hand drawn repetitions for the additional collage elements.

Thanks Jessica!

You can find Jessica Burke online at her portfolio website jessicab-artist.com, her weblog, and the weblog for her students.

What are your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

When I sketch it is usually with ink. A drafting pen or markers are my favourite choices. I find that you can’t hide your mistakes when you draw directly in ink. I love that. Occasionally I will use a blue pencil. This allows me to ink over this so that when scanned, the blue sketch lines can be edited out.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

In the past I have used pretty much anything to hand to create art. Spray paint, oils, acrylic. makers. You name it and I’ve probably used it. These days most of my pre-production work is done on a computer with Photoshop, Paint Shop Pro and Illustrator. But when it comes to sketching I’ll always stick to ink.

If you prefer pens, is there any particular brand, colour, or type of ink you like best?

Always black, if I’m using ink, and always 0.5-1.0 tip Edding draft pens. Markers can range from thin to really thick tip. Sometimes I’ll use a brush pen. I’m trying a few different makes to find perfect brush pen for me.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers? All of the above?

On the odd occasion that I actually have the time to paint, I do prefer Oils. But I still mix it up a bit when it comes to the media that I use. It depends what the work calls for.

If you do use paints, inks, pencils or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets or do you need a full set of colors?

My favourite markers are Pantone make. Auto spray paint is also good.

If you have a different set of tools for working in your studio (or office, or home, or on the couch) and out in public (at the park, or a coffee shop), what are the differences?

I very rarely get to work outside the studio as that is where my screen printing equipment is, however I always carry a sketch book and a drafting pen or two.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

If I have a choice I’ll always pick a Moleskine note book, just for the cool factor really, ha, ha. But really anything that you can draw on is fine with me.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or other material?

I always paint on plywood panels. I get these cut to size at a local timber merchants. I like unpredictability of the surface. No two respond the same to the paint. My screen prints are done on acid-free paper, about 200lb. smooth surface.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your art?

For my screen prints I’ll always use my computer to create the image. Even if I have prepared something by hand it usually ends up being scanned and into Photoshop or Paint Shop Pro and edited.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Sometimes but mostly I’ll see something new in the art supply store and try it out for kicks.

Do you have anything you use out of the ordinary for making your art?

I did use coffee granules once as an aging agent for the ply wood on a couple of pieces that I did way back.

If you create collages, where do you get the materials and objects you use in your pieces?

I don’t create collages per se, but my current work is created from found bits and pieces as well as original elements. I do use allot of imagery that I find either in magazines or on the Internet. I’ll fiddle around with a scan or picture from the web until it is suitable for what I need.

Do you have any special tools you use for creating collages? A particular X-acto knife, or a certain stamp set?

Just the computer and my scanner.

When creating your digital art, what are the software programs you use? Is one used more than another?

Mainly Paint Shop Pro, Photoshop and Illustrator. Layers are the best thing ever. I use Illustrator to convert scans of my like drawings into vectors.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

These days the pre-production work is always finished off digitally. This isn’t a preference it’s just how the product dictates how I work. I need to produce acetates for the screens that I’ll print from. So, even if everything is done by hand, the final stage will always be scan, fiddle and print.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

I think that the use of a computer is invaluable these days. Even if you don’t use it for producing the work, the promotional opportunities are so much better in cyber space and save on shoe leather. That said, I have the attention span of a gnat so when I’m online it is so easy to get distracted. Before you know it, two or three hours have gone by and you have nothing to show for your time. I try to update me blog at least once a week, if possible. I find that this simple process helps me to think about my work, what I’ve done and ideas for the future.

Thanks Mick!

Mick Statham can be found online at his website/portfolio mickstatham.com and on his weblog.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I only use a nib pen and watercolors to create my illustrations. My nib is a Waverly nib from Edinburgh. The back of the tin has a phrase that I’ve never understood. ‘They come as a Boon and a Blessing to men, The Pickwick, the Owl, and the Waverly Pen.” Maybe your readers will know. It’s the only nib I use, and found them in an art store in college 20 years ago. I’ve never seen them since, but the tin has over 100, so I’m set. I use whatever paper is available for sketching and figuring out layout for a book. Newsprint, copier, and trace usually.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

Just the pencil and nib pen for inking.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

I usually waver between Higgins Black Ink and FW Ink.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I use Winsor & Newton Watercolors, usually out of the tube. I have many colors but usually use only a few.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

The watercolors I use most are: New Gamboge, Rose Dore, Cadmium Scarlet, Burnt Sienna, Light Red, Manganese Blue, Cobalt Turquoise, and Payne’s Grey. These are tubes that are squeezed into a John Pike Palette that I bought in college.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

Any scrap of paper works for rough sketches. I use ink so some paper bleeds, but I’m usually more interested in capturing a pose or scene than how perfect it is on paper.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

Watercolor paper is used for my final art. It is usually hot press, although I have been enjoying using bristol board with watercolor. Winsor & Newton is my usual paper.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

No.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Sorry, but I am hopeless. I have been using watercolor since I was about 10, and dip pens since college (20 years ago) and don’t really like to change.

Do you have anything you use out of the ordinary for making your art?

Nothing I can think of. I have, as I said before, never come across the Waverly Nib since college, and I have been in lots of art stores. So that may be out of the ordinary, I don’t know.

If you create purely-digital art, what are the software programs you use? Is one used more than another?

No digital art. I use my Mac for scanning art and putting together picture book proposals.

Do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

I see the computer for making art as a tool, like a pencil, or pastels. Some use it, some don’t. I know almost all the artists I know have a computer, even if it’s for building their site, or scanning art. But there are a few who still do paste-up and it works fine for them.

Thanks Frank!

You can find Frank Dormer online at his website/portfolio frankwdormer.com, and his weblog. You can find more information about the books Frank illustrated on his site, and on Amazon.com.

What are your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

Charcoal has to be one of my favourites; not always practical because it’s quite messy, so I would use it in the studio or on a day out sketching where getting dirty didn’t matter - not on a day out with family :>)

I also like mechanical pencils with an eraser on the end - really simple and accessible, biro on occassion, Conte pencils. charcoal pencils. coloured pencils, Caran d’Ache Neocolor II with water, but only very occasionally ink,

I like painterly drawing media rather than the graphic lines of an ink drawing for the way I work (though I love them in other peoples work). I do like those double ended Tombo pens with water soluble ink (mid grey is a favourite) as you can get lovely washes - again it’s the painterly feel that attracts me. I really don’t like the scratchy feel of most dip pen nibs. I like bamboo pens and twigs because of the changes in line as the ink dries and the slight unpredictability but am more inclined to use them with watercolour.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

It will depend on the subject matter and what will give me the vocabulary of marks that I need. Also on whether I’m out ‘seriously’ sketching with lots of choices with me or on a trip with family or friends where I can only carry a little, can only draw quickly in order not to hold everyone up and need to keep clean! I’m inclined to use fingers to smudge or drip paint or ink onto clothes or dip sleeves in paint so that is an important factor!

A current long term project on local waterways has work in charcoal, watercolour, coloured pencils, mixed media. linoprints. pencil, Caran d’Ache neocolor II, Inktense - I don’t think I’ve done any oil sketches yet which is unusual as that is usually my first choice at the coast.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers? All of the above?

Oil first usually, also watercolour, often with oil pastel or coloured pencil. coloured pencil. pastel - acrylic in the studio but not plein air and markers not for colour but occasionally as drawing tools. Studio work in acrylics is usually finished in oils as the oils work so well glazed or scumbled or scratched through, over underlying acrylic marks put in very very loosely. Most of my work is mixed media as I pick up whatever will give me the marks I want and so a combination of materials is often involved.

If you do use paints, inks, pencils or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets or do you need a full set of colors?

As a colourist painter I like to have a lot of blues, yellows and reds to choose from and a range of other colours. I mainly mix colours, not using them straight from the tube or pan and though a painting will only use a limited range of them. I want the specific blue or whatever to achieve the results I want to catch the light, mood and colour of the day.

I don’t use sets but have a collection, bought individually over time, of colours that I like to use.

I use Winsor & Newton and Daler-Rowney Artists watercolours but also have a box of White Knights that I’m fond of. Oils are a mix of brands, mainly artists colours but not all. I also like the quick drying Griffin Alkyds. In pastels I like Unison - luscious and velvety and they don’t break into tiny shards like some soft pastels.

If you have a different set of tools for working in your studio (or office, or home, or on the couch) and out in public (at the park, or a coffee shop), what are the differences?

I answered this one earlier really - it depends on the subject, the situation - do I need to stay clean and tidy without smudges or paint on clothes or face, how long have I got to work? am I with friends with all day to paint and so getting paint splattered doesn’t matter and I have all the time I need? then the bag of materials gets heavy as I can’t resist all the stuff I may need - and if I don’t take it will be certain to want!

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

A wide variety. I like heavy weight cartridge paper as you can use it with any medium, watercolour paper - Arches, Fabriano hot pressed, not Bockingford very much, hand made paper, moleskine for pencils, large A3 sketchbooks in a landscape format that open out to about 3 feet across. I’ve also made my own books recently but I’m no expert at this like Nina. In a pinch - anything.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or other material?

I like deep sided canvasses as I never frame them, I prefer the look of them as they are without imprisoning the work. Plein air I do oil sketches on Cryla primed paper and frame as if for watercolours. I also sketch straight into sketch books of cartridge paper without any priming as I like the way the oil paint behaves - not archivally friendly but ok in a sketch book. Occasionally I’ve painted on hardboard (masonite) and like the firm surface but don’t like the fact that it has to be framed.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your art?

I do use Photoshop to create images that exist in their own right and play with ideas - it’s a great tool. You can see examples on my blog and website.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Yes, I had been using coloured pencils in mixed media work but wanted some better quality ones and had great advice from Katherine and others. They advised Polychromos for the way I work and they were right - I love them.

Do you have anything you use out of the ordinary for making your art?

The way I mix media probably. I like the variety of marks possible by combining for instance watercolour, oil pastel as a resist and coloured pencil to subtly enhance or overlay colour. Again on my blog you’ll see lots of mixed media pieces - recently lino prints, printed non-traditionally with oil paints and then worked into with oil pastel and coloured pencils.

If you create collages, where do you get the materials and objects you use in your pieces?

I prefer to paint the papers myself if it is going to be a finished piece and then cut and tear them - recently I learned to marble to create some different papers for beach sketches - so far these are just in sketchbooks. I will also use hand made papers and elements that won’t fade or tarnish.

When creating your digital art, what are the software programs you use? Is one used more than another?

Photoshop mostly and occasionally Corel Photopaint to manipulate and change elements fed in.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

I prefer the hands on of ‘real’ materials and the happy accidents and ‘language’ of marks. I don’t paint digitally but manipulate elements to create something very very different from the starting point.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

Very helpful for playing around with ideas, creating work that exists in its own right - and very distracting, eating up time if I’m not careful Very useful for research, for talking to fellow bloggers, critique, exchanging ideas, selling a little and learning a lot. So for me an essential.

Thanks Vivien!

Vivien Blackburn’s website is vivienblackburn.com, her sketches can be seen at sitekreator.com/viviensketches, and she also has a shop on Etsy. She has also started a group weblog called Watermarks, which “is a small community of artists who make art from water.”