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	<title>The Tools Artists Use &#187; Faber-Castell Polychromo pencil</title>
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		<title>Vivien Blackburn</title>
		<link>http://thetoolsartistsuse.com/2009/03/vivien-blackburn/</link>
		<comments>http://thetoolsartistsuse.com/2009/03/vivien-blackburn/#comments</comments>
		<pubDate>Fri, 13 Mar 2009 13:26:46 +0000</pubDate>
		<dc:creator>Bill Turner</dc:creator>
				<category><![CDATA[Contributed]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[acrylic paint]]></category>
		<category><![CDATA[Adobe Photoshop]]></category>
		<category><![CDATA[Arches paper]]></category>
		<category><![CDATA[bamboo pen]]></category>
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		<category><![CDATA[dip pen]]></category>
		<category><![CDATA[Faber-Castell Polychromo pencil]]></category>
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		<category><![CDATA[Inktense]]></category>
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		<category><![CDATA[mechanical pencil]]></category>
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		<category><![CDATA[oil paint]]></category>
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		<category><![CDATA[sketchbook]]></category>
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		<category><![CDATA[twig]]></category>
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		<category><![CDATA[White Knights]]></category>
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		<guid isPermaLink="false">http://thetoolsartistsuse.com/?p=156</guid>
		<description><![CDATA[Vivien Blackburn is an artist from the UK who also teaches painting and printmaking. Vivien is also the very first contributed interview. What are your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)? Charcoal has to be one of my favourites; not always practical because it&#8217;s quite messy, so I would [...]]]></description>
			<content:encoded><![CDATA[<p><em>Vivien Blackburn is an artist from the UK who also teaches painting and printmaking. Vivien is also the very first <a href="http://thetoolsartistsuse.com/contribute/" title="Find out how to contribute your own interview to The Tools Artists Use">contributed interview</a>.</em></p>

<h4>What are your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?</h4>

<p>Charcoal has to be one of my favourites; not always practical because it&#8217;s quite messy, so I would use it in the studio or on a day out sketching where getting dirty didn&#8217;t matter - not on a day out with family :>)</p>

<p><a href="http://thetoolsartistsuse.com/wp-content/uploads/2009/03/vb-icy-pools-and-snow-260x300.jpg" rel="lightbox" title="Icy Pools and Snow, by Vivien Blackburn"><img src="http://thetoolsartistsuse.com/wp-content/uploads/2009/03/vb-icy-pools-and-snow-260x300.jpg" alt="vb-icy-pools-and-snow" title="vb-icy-pools-and-snow" width="260" height="300" class="alignright size-medium wp-image-177" /></a></p>

<p>I also like mechanical pencils with an eraser on the end - really simple and accessible, biro on occassion, <a href="http://www.lefranc-bourgeois.com/" rel="external" title="More information, or product page for Conte pencils">Conte pencils</a>. charcoal pencils.  coloured pencils, <a href="http://www.carandache.ch/m/la-couleur/index.lbl" rel="external" title="More information, or product page for Caran d\'Ache Neocolor II">Caran d&#8217;Ache Neocolor II</a> with water, but only very occasionally ink,  </p>

<p>I like painterly drawing media rather than the graphic lines of an ink drawing for the way I work (though I love them in other peoples work).  I do like those double ended <a href="http://www.tombowusa.com/CraftIndex.aspx?category=W" rel="external" title="More information, or product page for Tombo pens">Tombo pens</a> with water soluble ink (mid grey is a favourite) as you can get lovely washes - again it&#8217;s the painterly feel that attracts me.   I really don&#8217;t like the scratchy feel of most dip pen nibs.  I like bamboo pens and twigs because of the changes in line as the ink dries and the slight unpredictability but am more inclined to use them with watercolour.</p>

<h4>If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?</h4>

<p>It will depend on the subject matter and what will give me the vocabulary of marks that I need.  Also on whether I&#8217;m out &#8216;seriously&#8217; sketching with lots of choices with me or on a trip with family or friends where I can only carry a little, can only draw quickly in order not to hold everyone up and need to keep clean!  I&#8217;m inclined to use fingers to smudge or drip paint or ink onto clothes or dip sleeves in paint so that is an important factor!</p>

<p><a href="http://thetoolsartistsuse.com/wp-content/uploads/2009/03/vb-stormy-day.jpg" rel="lightbox" title="Stormy Day, by Vivien Blackburn"><img src="http://thetoolsartistsuse.com/wp-content/uploads/2009/03/vb-stormy-day-150x150.jpg" alt="vb-stormy-day" title="vb-stormy-day" width="150" height="150" class="alignleft size-thumbnail wp-image-178" /></a></p>

<p>A current long term project on local waterways has work in charcoal, watercolour, coloured pencils, mixed media. linoprints. pencil, Caran d&#8217;Ache neocolor II, <a href="http://www.pencils.co.uk/products/derwent.aspx?sid=17" rel="external" title="More information, or product page for Inktense">Inktense</a> - I don&#8217;t think I&#8217;ve done any oil sketches yet which is unusual as that is usually my first choice at the coast.</p>

<h4>How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers? All of the above?</h4>

<p>Oil first usually, also watercolour, often with oil pastel or coloured pencil. coloured pencil. pastel - acrylic in the studio but not plein air and markers not for colour but occasionally as drawing tools.  Studio work in acrylics is usually finished in oils as the oils work so well glazed or scumbled or scratched through, over underlying acrylic marks put in very very loosely.   Most of my work is mixed media as I pick up whatever will give me the marks I want and so a combination of materials is often involved.</p>

<h4>If you do use paints, inks, pencils or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets or do you need a full set of colors?</h4>

<p>As a colourist painter I like to have a lot of  blues, yellows and reds to choose from and a range of other colours.  I mainly mix colours, not using them straight from the tube or pan and though a painting will only use a limited range of them. I want the specific blue or whatever to achieve the results I want to catch the light, mood and colour of the day.  </p>

<p>I don&#8217;t use sets but have a collection, bought individually over time, of colours that I like to use.  </p>

<p>I use <a href="http://www.winsornewton.com/products/water-colours/" rel="external" title="More information, or product page for Winsor &#038; Newton">Winsor &amp; Newton</a> and <a href="http://www.daler-rowney.com/content/artists-watercolour" rel="external" title="More information, or product page for Daler-Rowney Artists watercolours">Daler-Rowney Artists watercolours</a> but also have a box of White Knights that I&#8217;m fond of.   Oils are a mix of brands, mainly artists colours but not all.  I also like the quick drying <a href="http://www.winsornewton.com/main.aspx?PageID=36" rel="external" title="More information, or product page for Griffin Alkyds">Griffin Alkyds</a>.  In pastels I like <a href="http://www.unisoncolour.co.uk/content.aspx?Page=Home" rel="external" title="More information, or product page for Unison">Unison</a> - luscious and velvety and they don&#8217;t break into tiny shards like some soft pastels.</p>

<p><a href="http://thetoolsartistsuse.com/wp-content/uploads/2009/03/vb-aylestone-packhorse-bridge.jpg" rel="lightbox" title="Aylestone Packhorse Bridge, by Vivien Blackburn"><img src="http://thetoolsartistsuse.com/wp-content/uploads/2009/03/vb-aylestone-packhorse-bridge-150x150.jpg" alt="vb-aylestone-packhorse-bridge" title="vb-aylestone-packhorse-bridge" width="150" height="150" class="alignright size-thumbnail wp-image-176" /></a></p>

<h4>If you have a different set of tools for working in your studio (or office, or home, or on the couch) and out in public (at the park, or a coffee shop), what are the differences?</h4>

<p>I answered this one earlier really - it depends on the subject, the situation - do I need to stay clean and tidy without smudges or paint on clothes or face, how long have I got to work?  am I with friends with all day to paint and so getting paint splattered doesn&#8217;t matter and I have all the time I need?  then the bag of materials gets heavy as I can&#8217;t resist all the stuff I may need - and if I don&#8217;t take it will be certain to want!</p>

<h4>Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?</h4>

<p>A wide variety.  I like heavy weight cartridge paper as you can use it with any medium, watercolour paper - <a href="http://www.arches-papers.com/en/aqu_home.php" rel="external" title="More information, or product page for Arches">Arches</a>, <a href="http://www.cartierefabriano.it/uk/_prodotti.html" rel="external" title="More information, or product page for Fabriano">Fabriano</a> hot pressed, not Bockingford very much, hand made paper, <a href="http://moleskine.com/" rel="external" title="More information, or product page for moleskine">moleskine</a> for pencils, large A3 sketchbooks in a landscape format that open out to about 3 feet across.  I&#8217;ve also made my own books recently but I&#8217;m no expert at this like <a href="http://thetoolsartistsuse.com/2009/03/nina-johansson/" title="Nina Johansson's interview here on The Tools Artists Use">Nina</a>.  In a pinch - anything.</p>

<h4>If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or other material?</h4>

<p>I like deep sided canvasses as I never frame them, I prefer the look of them as they are without imprisoning the work.  Plein air I do oil sketches on Cryla primed paper and frame as if for watercolours.  I also sketch straight into sketch books of cartridge paper without any priming as I like the way the oil paint behaves - not archivally friendly but ok in a sketch book.   Occasionally I&#8217;ve painted on hardboard (masonite) and like the firm surface but don&#8217;t like the fact that it has to be framed.</p>

<h4>Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your art?</h4>

<p>I do use <a href="http://www.adobe.com/photoshop" rel="external" title="More information, or product page for Photoshop">Photoshop</a> to create images that exist in their own right and play with ideas - it&#8217;s a great tool.   You can see examples on <a href="http://watermarks-art.blogspot.com/" title="Vivien Blackburn's weblog">my blog</a> and <a href="http://vivienblackburn.com/" title="Vivien Blackburn's website">website</a>.</p>

<p><a href="http://thetoolsartistsuse.com/wp-content/uploads/2009/03/vb-cliffs.jpg" rel="lightbox" title="The Cliffs at Hunstanton, by Vivien Blackburn"><img src="http://thetoolsartistsuse.com/wp-content/uploads/2009/03/vb-cliffs-150x150.jpg" alt="vb-cliffs" title="vb-cliffs" width="150" height="150" class="alignleft size-thumbnail wp-image-198" /></a></p>

<h4>Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist&#8217;s work?</h4>

<p>Yes, I had been using coloured pencils in mixed media work but wanted some better quality ones and had great advice from Katherine and others.   They advised <a href="http://www.faber-castell.us/17322/Products/Art-Graphic/Color-Pencils/index_ebene3.aspx" rel="external" title="More information, or product page for Polychromos">Polychromos</a> for the way I work and they were right - I love them.</p>

<h4>Do you have anything you use out of the ordinary for making your art?</h4>

<p>The way I mix media probably.  I like the variety of marks possible by combining for instance watercolour, oil pastel as a resist and coloured pencil to subtly enhance or overlay colour.  Again on my blog you&#8217;ll see lots of mixed media pieces - recently lino prints, printed non-traditionally with oil paints and then worked into with oil pastel and coloured pencils.</p>

<h4>If you create collages, where do you get the materials and objects you use in your pieces?</h4>

<p>I prefer to paint the papers myself if it is going to be a finished piece and then cut and tear them - recently I learned to marble to create some different papers for beach sketches - so far these are just in sketchbooks.    I will also use hand made papers and elements that won&#8217;t fade or tarnish.</p>

<h4>When creating your digital art, what are the software programs you use? Is one used more than another?</h4>

<p>Photoshop mostly and occasionally <a href="http://www.corel.com/servlet/Satellite/us/en/Product/1150981051301#versionTabview=tab0&#038;tabview=tab0" rel="external" title="More information, or product page for Corel Photopaint">Corel Photopaint</a> to manipulate and change elements fed in.</p>

<h4>If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?</h4>

<p>I prefer the hands on of &#8216;real&#8217; materials and the happy accidents and &#8216;language&#8217; of marks.   I don&#8217;t paint digitally but manipulate elements to create something very very different from the starting point.</p>

<h4>I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it&#8217;s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?</h4>

<p>Very helpful for playing around with ideas, creating work that exists in its own right - and very distracting, eating up time if I&#8217;m not careful  Very useful for research, for talking to fellow bloggers, critique, exchanging ideas, selling a little and learning a lot.  So for me an essential.</p>

<p><strong>Thanks Vivien!</strong></p>

<p><em>Vivien Blackburn&#8217;s website is <a href="http://vivienblackburn.com/" title="Vivien Blackburn's website">vivienblackburn.com</a>, her sketches can be seen at <a href="http://sitekreator.com/viviensketches/index.html" title="Vivien Blackburn's sketches website">sitekreator.com/viviensketches</a>, and she also has a <a href="http://www.etsy.com/shop.php?user_id=6150568" title="Vivien Blackburn's Etsy shop">shop on Etsy</a>. She has also started a group weblog called <a href="http://watermarks-art.blogspot.com/" title="The Watermarks group weblog">Watermarks</a>, which &#8220;is a small community of artists who make art from water.&#8221;</em></p>
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		<item>
		<title>Nina Johansson</title>
		<link>http://thetoolsartistsuse.com/2009/03/nina-johansson/</link>
		<comments>http://thetoolsartistsuse.com/2009/03/nina-johansson/#comments</comments>
		<pubDate>Sat, 07 Mar 2009 16:47:48 +0000</pubDate>
		<dc:creator>Bill Turner</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Adobe Illustrator]]></category>
		<category><![CDATA[Adobe Photoshop]]></category>
		<category><![CDATA[colored pencil]]></category>
		<category><![CDATA[Copic Multiliner Pen]]></category>
		<category><![CDATA[dip pen]]></category>
		<category><![CDATA[Faber-Castell Polychromo pencil]]></category>
		<category><![CDATA[fountain pen]]></category>
		<category><![CDATA[hand-bound sketchbook]]></category>
		<category><![CDATA[ink pen]]></category>
		<category><![CDATA[Lamy Safari]]></category>
		<category><![CDATA[Noodler's Ink]]></category>
		<category><![CDATA[Pigma Micron Pen]]></category>
		<category><![CDATA[Schmincke watercolors]]></category>
		<category><![CDATA[sketchbook]]></category>
		<category><![CDATA[stencils]]></category>
		<category><![CDATA[technical pen]]></category>
		<category><![CDATA[watercolor]]></category>
		<category><![CDATA[Winsor & Newton watercolors]]></category>

		<guid isPermaLink="false">http://thetoolsartistsuse.com/?p=101</guid>
		<description><![CDATA[Nina Johansson is an artist living in Stockholm, Sweden teaching art, computer graphics, webdesign, multimedia and some more to kids between 13 and 18 years of age. What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)? Variation is fun, but I usually draw with an ink pen, [...]]]></description>
			<content:encoded><![CDATA[<p><em>Nina Johansson is an artist living in Stockholm, Sweden teaching art, computer graphics, webdesign, multimedia and some more to kids between 13 and 18 years of age.</em></p>

<h4>What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?</h4>

<p>Variation is fun, but I usually draw with an ink pen, and either leave it as an ink drawing or colour it with watercolours.</p>

<p><a href="http://thetoolsartistsuse.com/wp-content/uploads/2009/03/nj-recreativos.jpg" rel="lightbox" title="By Nina Johansson"><img src="http://thetoolsartistsuse.com/wp-content/uploads/2009/03/nj-recreativos-213x300.jpg" alt="nj-recreativos" title="nj-recreativos" width="213" height="300" class="alignright size-medium wp-image-128" /></a></p>

<h4>If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?</h4>

<p>I am not sure, I guess I just choose pens from what my hand feels like holding. You know, sometimes it&#8217;s a fountain pen day, other times it may be a Micron day&#8230; I usually have a few different kinds with me.</p>

<p>Sometimes the paper decides too. Some inks bleed on some papers, so you have to choose pen according to that.</p>

<h4>If you prefer pens, is there any particular brand, color, or type of ink you like best?</h4>

<p>Lamy Safari is my preferred choice of pen right now, usually with Noodler&#8217;s Lexington gray or Polar black ink. The Safari has a little springy feeling that I like, at least with the Extra Fine nib. I use other ink pens too, like Microns, dip pens, technical pens&#8230; Usually waterproof. I recently discovered Copic Multiliners, I like those a lot.</p>

<h4>How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?</h4>

<p>Watercolours, usually. Sometimes coloured pencils.</p>

<h4>If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?</h4>

<p>In watercolours, Schmincke and <a href="http://www.winsornewton.com/products/water-colours/" rel="external" title="More information, or product page for Winsor &#038; Newton">Winsor &amp; Newton</a> are easiest to come by in Sweden, so those are the ones I use, both pans and tubes. Great quality and loads of pigments in both brands. </p>

<p>I have all kinds of sizes on my palettes, from tiny travel sets to a huge tool box with tube paints. I use an English handmade travel set most, the tool box is for larger paintings and experimenting.</p>

<p>I sometimes use coloured pencils too, <a href="http://www.faber-castell.us/17322/Products/Art-Graphic/Color-Pencils/index_ebene3.aspx" rel="external" title="More information, or product page for Faber-Castell Polychromos">Faber-Castell Polychromos</a> are the ones I like best. They are very soft and rich in colour.</p>

<p><a href="http://thetoolsartistsuse.com/wp-content/uploads/2009/03/nj-wc_experiment1.jpg" rel="lightbox" title="watercolor experiment, by Nina Johansson"><img src="http://thetoolsartistsuse.com/wp-content/uploads/2009/03/nj-wc_experiment1-150x150.jpg" alt="nj-wc_experiment1" title="nj-wc_experiment1" width="150" height="150" class="alignleft size-thumbnail wp-image-129" /></a></p>

<h4>Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?</h4>

<p>Any paper will work, if I happen to have forgotten my sketchbook at home, but I prefer to use my own hand-bound sketchbooks. That way I can get the paper and format I want. I have yet to find a store-bought sketchbook that is actually good for both drawing and watercolours. </p>

<h4>Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?</h4>

<p>I enjoy working on my images in <a href="http://www.adobe.com/photoshop" rel="external" title="More information, or product page for Photoshop">Photoshop</a>, adding colours and textures and so on, but I rarely have time to really sit down and do it thoroughly. I teach computer graphics (among other things) so I get to do it a lot at work, and that makes me prioritize working by hand in my spare time.</p>

<h4>Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist&#8217;s work?</h4>

<p>Many times. I am, in fact, an addict to new pens, I try them all. Then I usually go back to my Lamy Safaris&#8230;</p>

<h4>Do you have anything you use out of the ordinary for making your art?</h4>

<p>Not that I can think of, really. Well, I adore patterns, so I cut a lot of stencils with repeating patterns, but you don&#8217;t see a lot of those in my sketches. I use them more for paintings and larger works.</p>

<p><a href="http://thetoolsartistsuse.com/wp-content/uploads/2009/03/nj-kit2.jpg" rel="lightbox" title="Some of Nina Johansson's tools"><img src="http://thetoolsartistsuse.com/wp-content/uploads/2009/03/nj-kit2-150x150.jpg" alt="nj-kit2" title="nj-kit2" width="150" height="150" class="alignright size-thumbnail wp-image-127" /></a></p>

<h4>If you create purely-digital art, what are the software programs you use? Is one used more than another?</h4>

<p>I rarely do purely digital stuff, but I use Photoshop and Illustrator pretty much, couldn&#8217;t choose one over the other since they do different things.</p>

<h4>If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?</h4>

<p>I work with traditional art tools more in my own art, and digital tools at work. I enjoy digital work very much, but computers never get your fingers dirty or let you splash around with water or messy paint. I like that, so traditional techniques will always be part of what I do. There aren&#8217;t as many &#8220;happy accidents&#8221; in digital work&#8230;</p>

<h4>I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it&#8217;s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?</h4>

<p><a href="http://thetoolsartistsuse.com/wp-content/uploads/2009/03/nj-kit.jpg" rel="lightbox" title="Nina Johansson's portable art kit"><img src="http://thetoolsartistsuse.com/wp-content/uploads/2009/03/nj-kit-150x150.jpg" alt="nj-kit" title="nj-kit" width="150" height="150" class="alignleft size-thumbnail wp-image-126" /></a></p>

<p>I think computers are very helpful AND a huge distraction. I find a lot of inspiration on the internet, and I have made a lot of online acquaintances (of which some have become real-life friends) with people who share my interest in drawing and painting. I keep an art-related blog and get a lot of feedback, so for social and inspirational purposes, the computer beats everything. But these are also the things that easily consume a lot of time, time that I could have spent drawing, for instance. You have to find a balance in how much time you spend online - even if it&#8217;s inspirational and informative. </p>

<p>The computer is a great tool for making art, but I don&#8217;t use it to make art that tries to replicate traditional techniques (such as drawing or painting directly in Photoshop). I think real art supplies are better for that. Purely digital art often looks a bit dead, it takes some handmade work to make it interesting. </p>

<p><strong>Thanks Nina!</strong></p>

<p><em>Nina Johansson can be found online at her blogspot weblog <a href="http://ninajohansson.blogspot.com/" title="Nina Johansson's weblog">ninajohansson.blogspot.com</a> and she also regularly contributes to the wonderful <a href="http://www.urbansketchers.com/" title="The Urban Sketchers weblog">Urban Sketchers weblog</a>. Nina&#8217;s portfolio is located at <a href="http://ninajohansson.se/" title="Nina Johansson's portfolio website">ninajohansson.se</a>.</em></p>
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