What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I like mechanical pencils because I tend to draw in a very quick scruffy style and would have to sharpen a normal pencil about every couple of seconds. Even illustrations that end up rather minimal and tight start out as a mess of lines and corrections. For that reason, I also find a putty rubber indispensable, because it can get into all the little nooks and crannies of my drawing. I get into a panic if I don’t know where my putty rubber is. It’s a bit like Dumbo’s feather.

I use a lightbox a lot, because I like to keep my pencil artwork separate and the lightbox enables me to experiment with different approaches to the same illustration.

I use a Wacom when I’m on the computer, although it’s just a little A6 tiddler, so I find it’s only useful for rough sketches and quite broad actions, like using the burn tool in Photoshop.

My favourite pen would be my Pentel brush pen.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?


It generally depends on the subject matter. How a given medium supports what you’re trying to communicate is something that really interests me. For example, I recently drew a character for a story set in the 80s so I’ve used half tones to give the illustration a kind of 80s newsprint feel. If I want to do a creepy, Victorian style illustration I’ll use dense linework and treat paper in Photoshop to make it look older. Upbeat kids stuff might be looser more expressive pencils with bright, fresh watercolours.

If you prefer pens, is there any particular brand, color, or type of ink you like best?


I’m forever hassling people to take up Pentel brush pens. They’re really convenient and versatile, you can use them in an expressive loose kind of way, or reign them in for nice tight graphic work. That said, I’ve recently started playing around with a mapping pen and have been really pleased with the results. 



How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?



Mainly watercolours and Photoshop. If I’m using watercolour I tend to make a set of swatches, scan them in and then compose the colours in Photoshop. I also colour things directly in Photoshop, and use bits of texture – old paper, metal etc. to give things a bit more depth. Photoshop is great with watercolours and pencils.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

I like using felt tip pens, I think because of their associations with being a kid. If I think of colouring in, I think of felt tip pens. I also like drawing with biros, for a similar reason – it reminds me doodling in exercise books in school.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

I do most of my work in A4 sketchbooks with heavy paper with a bit of a grain to it. I need heavy paper because I make such a mess, it needs to be paper that can take a bit of a battering. I like the grain because of the way it picks up the pencil and the smudges…it gives more information to Photoshop that I can play with later, burning bits in or cloning nice bits of texture etc.



Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?


Pretty much everything goes through Photoshop. I use curves a lot, and the burn and dodge tool. I play with the colour values and I like to use multiply layers, e.g having a bit of old paper as a multiply layer, or having my inks on a multiply layer and colouring beneath. Even the scruffiest sketch gets curved up and has some bits burned in and other bits knocked back.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Almost everything I use. I think it’s really important to keep experimenting and to stay clued up. Everything I’ve mentioned so far can be traced back to hearing about it or seeing it somewhere. I picked up the Pentel Brush Pen because the guy who does the concept art for the Metal Gear Solid videogames uses one. The last design studio I worked at had a really healthy culture of trying stuff out and sharing knowledge. I picked up loads of useful bits of Photoshop from the designers there. If I’m not sure how someone’s achieved a particular effect I hunt around on the Internet for a relevant tutorial.

Do you have anything you use out of the ordinary for making your art?

Not really. After talking up the computer so much I’d like to say that I’m a big fan of the ordinary! If the audience can understand how a picture was made, then I think that’s another level to the relationship between the work and the viewer. There’s something magical about seeing an amazing piece of art that is just pencil marks on paper.

If you create purely-digital art, what are the software programs you use? Is one used more than another?

I’m going to continue the trend of contradicting my last answer. I really love drawing in Flash, especially the way you can grab your lines and fills and pull them around until you’re happy with them. Also, Flash and Illustrator are great for more modular pieces – loads of characters and stuff, because you can easily rearrange, resize and edit different elements.



If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?


Nothing beats drawing in a sketchbook.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?


Well, generally I think computers are great. Especially for getting your work seen, communicating with clients, researching content for work or seeing what everyone else is up to. The danger with computers is that because they’re so clever and offer you so much choice, you can struggle to keep a focus on yourself and your work. Regarding the Internet, sometimes it can be inspiring and sometimes it can be a bit bewildering when the whole creative industry is out there for you to explore and find your place in. Regarding post-processing, it’s always a worry that by the time I’ve inked a sketch and scanned the inks and cleaned them up and moved them about and coloured them and added a texture I may have killed the spark from the original sketch stone dead. The trick with computers is using them to enhance whatever it is that makes you unique as an artist in the first place.

Thanks Chris!

You can find Chris Rodenhurst online at his weblog Sketchybeast.

What are your favorite drawing tools (pens, pencils, markers, drawing tablet)?

Probably you’ll be surprised, but it’s an ordinary graphite pencil. The softer the better. I like 9B most of all, but everything up from 4B works great too. They are usually wooden or just pure graphite. One of my favorites is the Austrian wooden clutched pencil Cretacolor I bought in London. I also like Faber Castell PITT Artist pens, Tombow ABT Dual Brush Pen and Pentel Color brush pens.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

I carry my drawing tools in my bag, so it’s always a bit messy inside. I was thinking about getting boxes, but still don’t have one. Going out I just pick up some tools I like at the moment, or the ones which are more suitable for the place where I’m going. It’s much more comfortable to draw with a pencil and felt tip pens while traveling on the subway for example. And the Pentel Aquash Waterbrush pen is good during a coffee break, when there’s some time to dry the pages of your sketchbook before you need to run somewhere else.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I like color in general, so I don’t really care what I use. I haven’t worked with oil since my uni days though. But all the rest, yes! Watercolor is tricky, but grateful, acrylics are good for my matreshkas, colored pencils remind me of childhood and felt tip pens are so bold I just can’t resist. Gouache Master Class is also one of my favorites. It has such a nice velvet texture!

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

I like Russian watercolors like St. Petersburg’s White Nights. I remember them from my childhood. Usually each pan of paint is wrapped in foil, so I felt like a child unwrapping them, like I’ve got a box of candies. And the quality is excellent, too. Foreign paints are usually too expensive and I hate expensive art tools … they don’t give me any chance to experiment, and I’m always afraid to ruin them. When I travel I tend to choose a small range of materials. For example, last time when I was traveling I had two Pentel Color Brushes filled with Indian black and orange ink, a dark grey Faber Castell PITT liner and two Tombow Dual Brush Pens, light and dark blue. The only thing that never changes is my soft graphite pencil.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

The main rule is the cheaper the better. I hate all those trendy sketchbooks deep inside.
I don’t want to think something like “I need to draw a masterpiece, because this sketchbook looks so nice and costs a lot.” Despite that fact, I have some Moleskines, but who doesn’t! Cahier Moleskines work best for me. They come in three different sizes, large one is good for projects and research, the one in the middle is for sketching and the smallest one is for notes and quick drawings on the run. My recent love is Muji Scribble Pads, they seem to be made for drawing with pencil. Scrap paper works good too, you just need to bind it properly and to not get irritated by the mess and to keep a step-by-step order.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

If it’s an editorial, then yes, there is some post-processing, but mainly because of rush. Usually deadlines are so tight, I don’t have any chance to experiment or make mistakes. With Photoshop I can change the color, add or remove something from the picture in two seconds. With, for example, watercolor I don’t have any chances to survive right now. The last editorial piece I was working on, it had to be made in an hour, for example.

On the other hand drawing for myself I make only analogue things. All the pages of my sketchbooks you can see in my portfolio are absolutely hand made.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

A lot of times! That’s how we all share information. For example once I’ve noticed colorful ink pens with a brush on its end on Bubi Au Yeng’s Flickr photostream. I asked her about the brand (it was the Pentel Color brush) and purchased the same thing for myself.

Do you have anything you use out of the ordinary for making your art?

Not really. The way your art looks like isn’t the result of using some special tool. The most important thing is your personality, way of living, who you are. Your inner world can help to turn an ordinary pencil into the magic wand. And if you don’t have much to say, I doubt there’s something that’ll help you.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

Well, it’s helpful, yes. You see, in case of editorial illustration there are deadlines you can’t avoid. And you don’t have time to go to the street or library to make a proper visual research. If I need to draw a giraffe, I’d like to look at it one more time to have a fresh point of view. The computer is also an excellent tool for self-promotion. I found my first client through the internet. To be precise, it was the client who found me. Nearly all of them came after they checked out my online portfolio. It helps me to reach art directors worldwide without even sending them a paper version of my portfolio, isn’t it magic?! And to meet people! I can’t imagine my illustrator’s career without the computer now.

Thanks Irina!

You can find Irina Troitskaya online on her portfolio website irtroit.com, on her weblog, and on Flickr (irtroit).