What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I think it all really depends on what I’m doing. I’m in love with my brushpen, but it’s totally balls for penciling roughs. Balls. But really, I’d have to say my red Col-Erase pencils, my Pentel Brush pen, and my Pentel RSVP ballpoint are my daily heroes.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

I sit at my desk and ask myself this question while staring at the array of pens and pencils and brushes and god knows what else. I painted with a feather once. Not like the end they make quills from, but the fluffy part. I guess what I end up doing is really thinking about what kind of line I want to achieve, and which one of these damn things is going to give me that. Sometimes I trace over drawings a few times with different pens to see what I like best for that particular project. Mostly I get really frustrated and just use a ballpoint.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I use acrylics pretty much exclusively right now. Although I’m considering getting back on the gouache horse that I fell off after art school. Such bright, creamy, vibrant colours. I’m also feeling a lot of nostalgia for crayons and pencil crayons. I feel a hefty need to play with them again.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

Anything cheap. I buy SO many paints in crazy different colours that if they weren’t cheap, I’d be bankrupt. Or ten grand in debt to a loan shark in order to feed my colour addiction. For acrylic I usually end up buying the Liquitex Basics, and I use Golden mediums with them.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

As long as the paper is smooth as butter and completely toothless. I hate HATE textured paper. With a fiery passion. yuck. I also prefer that sketchbooks be hardbound, I don’t like spiral ones because the pages slip around and rub against each other and everything ends up all smudged.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

Canvas is balls. I hate the regular texture to it. I prefer to work on paper for my illustration work, and wood or masonite boards for fine art. Or as I just did the other day, I spread light acrylic modeling paste all over the canvas, like icing a cake, and when it dries it has this look of old plaster. A great texture to work on.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

I do go the digital route sometimes. Usually when I’m in a hurry, or I want something really smooth and uniform. In which case I usually colour my linework in Photoshop, and then drop in flat colours. I’m no good at digital painting though.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Yes, actually. I was hearing all this buzz on the interwebs about the Pentel brush pen, and I was looking for a good brush pen anyways. I hate the felt tip kind, the tip gets all fuzzy and gross after 1 drawing, and there isn’t as much control over the line weight. If you can’t tell already, I’m really anal about my drawings, but I also like a little bit of messiness. Sadly I’m incapable of actually letting myself be messy. I found the Pentel pocket brush gives me the perfect amount of control vs. chaos. Plus it fits in my purse so I take it everywhere!

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

Lately I’ve found myself slowly moving closer and closer to working digitally, which I have always steered clear from up until now. I LOVE the physical act of painting, of getting it all over my fingers and in my hair and on the sleeves of my favourite sweater that I forgot I was wearing again. But I’m also an illustrator, and there is often a big time issue, I can work faster digitally, mostly because when working digitally I simplify myself a lot. Even more so than that, I’m a starving artist with a terrible, old and shitty scanner and lately it’s just not worth fighting with it, or paying someone to scan it for me.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

I have a huge internet presence, probably too much so. I have two blogs, a website, way too many email addresses, and I’m on Twitter 24-7. My entire fan base (tiny as it is) is online, so without the computer and internet, I’d be even poorer (hard to imagine). I also have a catalogue of work I find inspiring in a folder on my computer. Anytime someone on one of the many blogs I follow does something mind boggling, I drag it into the folder and look at it for hours.

Sadly it is also SUPER distracting, and I’m starting to learn that I have to shut everything off and buckle down, or I can waste entire days playing around on the internet making dick jokes on twitter and chatting, and trolling through other people’s awesome work that they can do because they are not addicted to the internet.

Thanks Britt!

You can find Britt Wilson online on her portfolio website brittwilson.com, her weblog Britt, a Wilson, on Twitter (@Britterson), Flickr (batamarang), and on a weblog she shares with Vicki Nerino: Uterus Parade.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

My favorite drawing tools are basically digitals: drawing tablet, digital brushes… I only use graphite pencils (Staedler 2HB, Faber-Castell 5HB) to plan a comic, doodle some ideas and concepts.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

For a comic story, I usually start drawing with graphite pencils, however, I use a vectorial brush for lineal drawings, or working directly with Photoshop if the textures predominate over the outline.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I occasionally do the color with watercolor pencils and gouache, using brushes and a sponge, looking for finishes like I get in digital form.

I also use markers, specifically Touch markers with two points. I use them over pencil, but only in small areas and no more than two tones mixed in the same drawing.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

My favorites are the Photoshop dry brushes. Long live!

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

I have a small Moleskine just for writing because I hardly draw by hand. For comic, I prefer an old notebook that constantly loses pages.

But my favorite is one with horizontal guides, decorated by Adrian Tomine, I only get to do some drawings on this one, perhaps because I don’t have to face the full white.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

I normally start drawing with the vectorial brush of Flash, then I model forms vividly, I love the flexibility of this program. The result is exported to Photoshop to reduce coldness and finally I use Photoshop brushes, mostly the application defaults, dry and wet.

If you create purely-digital art, what are the software programs you use? Is one used more than another?

I usually work with Flash, Freehand, Illustrator, Painter and finally Photoshop, my star program, with which I get (almost) everything I want.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

Before I start drawing I was an art director for an ad agency, but my designs derived increasingly toward illustration, so I ended up doing drawings. I started drawing in a very unorthodox way, with the computer mouse and later, at last, with the drawing tablet. So I find digital work so convenient, a way wich I’m very accustomed to and which I feel more comfortable when I have to face certain projects.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

In my particular case, the computer has been a key factor in many ways to use certain resources such as textures, patterns, fonts…, I don’t have my own bank but I used to look for resources on the network every time I need them. I think the internet is really useful with the promotion of your work and let more people know it. You can get notoriety, of course, despite all the time that this entails.

Thanks Ana!

You can find Ana Galvañ online at her portfolio website anagalvan.com, her weblog, and on Flickr (elmyraduff).

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

Lately I’ve really been into using a .5 mechanical pencil (Papermate Pro Touch II) with millions of Chartpak markers. I’m starting to get into using brushes and brush pens for lines.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

When I’m sketching it really just depends on my mood what tools I’m going to use that day. I can tell if I feel like drawing scratchy or drawing smooth and I choose my tools accordingly. It’s all about texture and what it feels like for me to draw with what. If it’s not right in front of my face, I tend to forget I have it. With my markers, I keep them all in a bag that I just reach into and grab around in until I find one that works (and is the right color).

For finished pieces, the idea usually comes into my head fully formed. I see what it looks like so I know what materials I need to use, or else I figure it out after a couple of tries.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

Depending on what I feel like, I go between 3 different pens. One is this great super dark black watercolor brush pen (SAI). The other is a Crowquill nib and Higgins inks (Speedball for black). I like the super fine pencil like lines I can get from using light ink with the crowquill, it kind of makes me feel like I’m doing a naturalist sketch log. I also have this great square shaped .38mm black super inky pen that my cousin got me from a Korean dollar store. There are little cartoon pigs all over it, I think its name is MonokuRo Boo. For some reason I only like to use it for lifedrawing. It’s probably a good thing, too, because I wouldn’t know where to find another one if it runs out.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

Before I started at art school in 2004, I have to admit I never really experimented or used much of any actual art materials. I did mostly really, really horrible, amateur digital art. So when I got to school I was blown away by all this real media I never really knew about. I started in on this process of trying to find the Right Coloring Materials (and figuring out what I don’t like on the way). I think it’s a quest for what will give me the flattest and brightest colors. I was seriously into inks for a while, switched to cut paper, then gouache. I’ve got a short attention span and I am always changing how I do what I do. Right now I am really into markers. I love Chartpak markers for the flat color I can get with them when they are super fresh. I think I might try gouache again next.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

About a year ago my friend Carly Schmitt introduced me to Chartpak markers. Everytime we went to the art store we would test out a lot and then pick one or two and get them. Since I started doing that I’ve gotten a collection going. Even though I have a lot of colors, from picture to picture I like to try to keep my pallet somewhat limited. I’ve found that sets, while they might be able to save me money, seem to have a lot of useless colors, and never the ones I need.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

I usually have 2 or 3 sketchbooks going at once because at different times I just feel like working on different surfaces. Sometimes when I sit down to draw or sketch, one doesn’t feel right and I have to switch. I just finished a Moleskine. I really like the paper in those, it’s so smooth and off white. But sometimes I absolutely hate it and have to switch to something rougher, just a regular store brand sketch pad, sometimes a small Strathmore drawing pad. For bigger pieces sometimes I break out the smooth bristol. I’m sort of cheap when it comes to buying materials though, so I don’t get much fancier than that.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

I only ever painted when I was in school and it was usually on canvas board (because it was cheap). I was not a huge fan of it, or painting, either.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

When I’m working physically or digitally, it’s all or nothing. I don’t like to change my physical drawings too much on the computer. When I know a piece is finished, it’s how it’s supposed to look. I don’t like to add anything to it that you’re not going to see in the original.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Yes. When I try working with something that I’ve seen another artist use I feel like I can unlock all of their secrets. A lot of the tools I’ve been using lately (like markers and brush pens) were introduced to me by other artist friends.

Do you have anything you use out of the ordinary for making your art?

I have a couple boxes of sparkly things (mica, tinsel, sequins) I like to toss in sometimes. I haven’t really been using it lately, or doing much else out of the ordinary. I know a lot of artists like to draw on hard surfaces or desks, but I really prefer just to rest my materials on my lap with a piece of cardboard underneath. I guess that is sort of unusual.

If you create purely-digital art, what are the software programs you use? Is one used more than another?

When I’m doing something all digital, I really like using Corel Painter X. I got it while I was in school and I really like fooling around with all the different tools it’s got, even if I don’t end up using them in the end. I really like it for digital drawing because the pens and brushes are pretty close to real tools. It works well with my dinosaur Wacom tablet. For finishing that stuff and color corrections, I like to use photoshop. Another cool program is Alchemy, though I really use it just for fun. I do more fooling around digitally than actually finishing anything real.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

I do more non-digitally unless I have this idea that I know I can only execute digitally. I have a better time drawing on paper because I can physically feel it. It’s more real. I like to sculpt or carve out with line, which doesn’t feel the same on the plastic of a tablet. Also since I draw looking down at something on my lap, usually hunched over with my face a couple inches away, it’s a big difference to look at what I’m doing straight ahead on a screen. I mostly use the computer when I have an idea that is huge in scale or requires a ton of colors that I know I wouldn’t be able to put down smoothly or brightly enough in the physical. I’d like to work on combining the two, but so far I haven’t really found a way that I’ve been satisfied with.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

For me it’s definitely all of the above. I need to be distracted to concentrate (I guess that is something else out of the ordinary). Being able to go online opens up this endless universe filled with reference material and inspiration. It’s all right there. I’ve got this huge image file of art, photos and useless junk that I can go through whenever I want to.

Reading blogs and looking at artists’ sites helps to keep me motivated, too. I see what other artists are doing. And looking at my own stuff on my blog or website, I can see what I’m doing, what I’ve done and what I need to do to keep going. It’s like a personal timeline.

Thanks Lauren!

You can find Lauren Albert online on her portfolio website plslala.com, her personal weblog (exegesis)!!, her alien-art weblog ALIEN, and on Flickr (plslala).

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I’m definitely an old fashioned type of fella when it comes to drawing. My favorite of the past couple years is brush and ink. I have yet to find anything that gives me equal helpings of control and spontaneity. I love the Silver Ultra mini brushes - they keep a fine point and last a while if they’re kept clean. The only thing lacking with the old brush and ink is it inability to travel well. For portability I, like so many, like the .005 Micron in various colors. I love to be able to mingle some different colors in a drawing, especially if I’m working outside or on the subway. I’m also a fan of the Micron Brush Pens. I’ve also become a fan of the COPIC sketch markers. They’re a little pricey, but they’re dual tipped with a fat, flat end and a pretty sharp brush end. I also buy cheap calligraphy markers, mostly in black. I’ve been picking up Elegant Writer pens and using them to death for quick sketches. Again, the variable line is nice and you can do really fast fills. The line decays through the stroke, but that can give things a nice character and give you something more than a flat saturated black - something almost more photographic, especially in small sketches.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

For a drawing day at the Natural History Museum, or the subway, I like to make purposefully random selections. A handful from the maker bin, and then try to go make it work. Illustration can get formulaic by design, so a strange assortment of pencils and pens can be really helpful to get out of a drawing rut.

For an illustration, I’ll generally rough in pencil, and then move right to ink, or gouache of late, to lay out the line structure.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

As far as ink, I’m still trying to find the perfect ink. Since I use a lot and can correct in photoshop after the fact, I will use the old standard, Higgins waterproof black. I find it’s pretty wishy-washy. For more gallery type drawing I have been using Speedball’s Super Black India Ink. It gets better coverage and cavernous deep blacks. Although it professes to be non clogging, I find just the opposite. It can get a little chunky, and even syrupy if left open even a little too long. It also has a slight but noticeable bleed. I have experimented with Bombay inks as well, but find they have an iridescence I’m not too fond of.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I was an acrylic painter for a longtime, and love the saturation. Maybe it’s because I’m getting older I’ve moved to watercolor and gouache paint gouache. Gouache can give you that really nice saturated color without the chunkiness of acrylics, along with a really nice matte finish. Since a lot of my work is reduced pallette work, it’s nice to do a full tone of watercolor on the bottom with a little mask to leave some of the white of the paper showing, and then draw with gouache on top.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

For watercolors and gouache, I definitely like the Winsor & Newton stuff, and for watercolor I do use a Winsor & Newton 14 color travel set as my default setup. It does have some drawbacks - the cools in travel sets always seem to be a little weak. I pull out the cobalt and substitute cerulean (I love the plastic-y, processed look of cerulean). I will also premix some gouache in the water dish that I’ll use as my major line color. I also have a Daler Rowney 12 set that Ive been pretty happy with too, and is a little smaller.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch? / If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

In general, I think paper is the most underrated supply people buy. Unfortunately, sketchbook are always notoriously filled with weak paper: 60lb paper is just sort of weak for my purposes. That does lower the price point and make it more expendable, which I suppose is the point, but I find sketchbooks a little frustrating to buy. I generally use the Daler Rowney bound sketchbooks. My favorite, which I’ve had a hard time finding of late, is the Canson Balloon Field Sketch book. It’s wire bound from the top which I definitely prefer. Dealing with the gutters in the bound sketchbook can be frustrating when you just need that extra half inch to make it work. I also like a Il Torchio notebook my cousin brought back for me from Florence. It has a really nice tooth and holds up really well for 50lb paper. My other little fettishy sketchbooks are a 3” by 5” R. Baldwin 150 gms cartridge paper book from England, and a 4”x 5” Daler Rowney Fabriano colored paper sampler book.

As far as painting, if I’m working on canvas or board, it gets the same treatment. I use the NY Central Acrylic Gesso - about 5 layers - and sand it down to as glassy smooth a surface as I can get.

I’ve come to prefer painting on paper, and haven’t found anything I like better that Arches 300lb, hot press for gouache and acrylic and cold press for watercolor. I also like their 140lb cold press for mixed media work and watercolors with very controlled but small bleeds. I will also use Strathmore smooth Bristol, but mostly for work line work that then gets re-colored in photoshop. Rives BFK is a close runner up, probably my drawing favorite for straight ink and pencil.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

I often do, especially for quick turnaround illustration assignments. I still draw everything by hand but will work with black and two or three arbitrary colors (generally a hot and a cool) to flesh out the design, and then assign them new colors in Photoshop.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

I saw a Marcel Dzama show at the Richard Heller Gallery a few years ago, and it really made me realize the power of working on paper. I had been making acrylic paintings that were really emulating silkscreen and woodcut prints, and realized that they should be on paper to really get that matte finish I was looking for. Acrylic suddenly felt way too plastic.

Do you have anything you use out of the ordinary for making your art?

I generally use the edge of an old credit card to apply gesso, a trick I picked up from Tom LaPadula, one of my teachers at Pratt. It saves a lot of time with sanding down a canvas or board.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

After a few years of creating art that was about half digital, I’m really trying to move back towards more traditional media. Mostly because I am working in better spaces and have constructed a light table and have the space to really avoid putting things into the computer until it’s sitting on the scan bed.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

The computer is an amazing resource. I was very anti-computer as a young idealistic artist/idiot, and have come around big time. I use to feel that digitally produced work was a rather hack-y type method, but I’ve long since seen the light. What people are doing now with digital collage and painting and drawing is really incredible. I keep finding out people who I thought were traditional illustrators are working totally digitally.

As far as work as an illustrator goes, it’s a double-edged sword. In this economic downturn, magazines and newspaper are having a rough go. As more and more go online, it’s more common than not that the illustrators they used to hire don’t come with them, or if they do, the illustrator works for smaller fees. Conversely, having a website which you can construct and update yourself for free, a blog you can post on for free, and emails which you can send for free - it’s pretty convenient. It does have a democratizing effect of allowing new people to get wide coverage, and allowing me to look at work from all over the world. That being said, it can be a bit of a distraction. It’s easy to find yourself lost in a multimedia labyrinth only to emerge a hour later and none the wiser…

Thanks Andrew!

You can find Andrew DeGraff online at his portfolio website andrewdegraff.com, his own weblog DEGRAFFLOG, and on the group weblog welcome friend or foe.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

The pencil is by far my favorite. I think the ones I use the most are Prismacolor “Turquoise” (they aren’t actually turquoise) and I like them a lot, but I’m really not too picky.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

I usually start with a medium hard pencil like an HB or H so it makes a lighter line but isn’t so hard that it won’t erase or make an actual dent in the paper. Then I move onto very sharp darker pencils to define lines better and do detail.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

I don’t use a lot of pens for finished drawings anymore. Sometimes I use Microns, 005 mm. in black ink.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I use watercolor, I’m tentative using color and afraid of messing up so I like having the option of doing progressively darker washes.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

I actually do have a small traveler set of Winsor & Newton watercolors that I love. It’s so handy and has all the right colors; usually I only use browns and yellows, and hints of blue and red, and they’re all in that set. I also have some small tubes, also Winsor & Newton, of colors that I use more of, like Van Dyck Brown and Raw Umber.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

For ideas and sketching I use a spiral bound hardcover notebook, I think the one I have is made by Strathmore. I also have a lot of scraps of Stonehenge paper around which I useful since I do all my finished drawings on Stonehenge (in “Natural” or Warm White color). It’s a cotton rag paper that I found out about through printmaking, it’s smooth and soft and takes color really well.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

I only use Photoshop for some cosmetic things after I scan them, adjusting the levels and adjusting the colors so it look like the original drawing.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

I’ve tried Gouache several times because some people can make it look so wonderful, but that’s been an utter failure for me, I just can’t get it to work for me

Do you have anything you use out of the ordinary for making your art?

I don’t know if it’s out of the ordinary but one of my favorites is a colorless blending marker made by Chartpak. I used some collage in my work and those pens have a chemical in them that will transfer photocopies to paper.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

Absolutely, I would be lost without it, I use it for blogging and promoting, and most important selling my work.

Thanks Julianna!

You can find Julianna Swaney online at her portfolio website Oh My Cavalier!, on her drawing weblog, and she has some original art, prints, and jewelry available for sale on her Etsy shop.

What are your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

My favorite tools are pencils, ballpoint pens and the Pentel brush pens with permanent ink in them, which I purchased while I was living in Japan, god, eight years ago. The Pentel permanent ink is so nice and heavily pigmented that it is really permanent. I made our address sign for the placard at our apartment door with it, and it sat in the full blaze of the Japanese summer sun for two years without a sign of fading.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

The project is usually going to dictate the medium. If the deadline is tight you need something that’s going to be dry and finished fast, especially when working with paints. For the drawing tools, it depends on what kind of mood you’re going to evoke. If I need a more uniform line weight, I’ll reach for the ball points, if I need verve, power and snap, I’m going to go with the brush pen. If I need some subtlety and variation in tone, it’ll be the pencil.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

For pens, I usually use Papermate pens. The ink comes out of them pretty readily and heavily, and I can get a wide variation out of the line/tone quality. If the ink comes out meagerly or is too liquid, you lose that play and option in the linework. You don’t need those SKG-whatevers that James Jean uses, you just need a ball point where the ink comes out easily but not too liquid. Then you can get all of that lovely “dry-pen” look that he gets.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers? All of the above?

I work a lot in oils, which are a very forgiving medium. Watercolors are also a favorite, but to work opaquely over them, I use gouache, which is some of the most unforgiving stuff out there. Mainly because the amount of color and value shift from the wet to dry paint varies widely from color to color, and when you’ve got a mix of them going on, well, you’re never perfectly sure what you’re going to end up with. But I use them anyway, and I’m getting better at predicting how they’ll curveball on me.

Do you prefer travel sets or do you need a full set of colors? If you have a different set of tools for working in your studio (or office, or home, or on the couch) and out in public (at the park, or a coffee shop), what are the differences?

I have a very portable kit that I take with me for sketching. It consists of a cloth fold-over wallet that holds several pens and pencils of different uses, and then a tin that contains a water brush pen and a small watercolor pan set. With those items I can make notations of almost anything I need to out in the field. The only difference between field work water colors and studio watercolors is that in the studio I have a wider selection of tubed gouache paints. In the field, I just mix the watercolors with Chinese White, which is just white gouache.

For plein air oil painting, I use the standard french easel and my full palette, which is a modified version of Richard Schmid’s palette. From left to right on my palette, I lay out: Ultramarine Blue, Cobalt Blue Deep, Viridian, Transparent French Red Ochre, Pyrrolo Ruby (looks like Alizarin but permanent), Cad Red Light, Yellow Ochre, Cad Yellow Deep, Cadmium Primrose (a greenish yellow) and Titanium White. (I’ll use Flake or Zinc white for special effects some times, but Titanium is the workhorse.)

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

I always have a Moleskine with me, mainly because it’s small and takes pen and pencil well. I don’t use the sketchbook version, just the plain (I get more paper that way!) For bigger sketchbooks, my wife makes them for me out of selections of nicer paper that I buy in sheets and she binds together with covers and coptic binding, which allows the pages to lie nice and flat.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or other material?

I prefer to make my own canvases, because the mass-produced ones are just generally crap: the weave of the fabric is skewed or wavy or the primer is acrylic, which is like sandpaper and can kill nice oil brushes. (I have a nice bristle bright that I used to scrub in some shadows on a 18x24” canvas and when I was done, at least two-thirds of the length was worn away.)

I do increasingly use panels, since they don’t have the give of canvas and I can be assured that when I push the brush into the panel with some force it’s not going to bend and make me miss the mark I was trying to hit. Real Gesso makes excellent panels with traditional panel gesso or oil-primed linen surfaces.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your art?

Other than correcting the photos of the artwork to match as closely as possible, not usually. Sometimes I will do some compositing to meet a deadline or accommodate some changes that an Art Director wants.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Sure! I think most artists do. I’ve tried out Rives BFK after seeing James Jean use it, but the loose nap got on my nerves. My favorite paper for ink and watercolor work these days is Annigoni paper. There’s a light tan version that has a great unifying effect on any colors that go over it and it absorbs ink in a way that makes the ink look like it’s part of the paper instead of sitting on top.

Do you have anything you use out of the ordinary for making your art?

I have some weird brushes, like Epiphanes varnishing brushes and a weird assortment of calligraphy brushes I often use for oil painting, but that’s about as “out there” as I get.

When creating your digital art, what are the software programs you use? Is one used more than another?

I use Photoshop with a Wacom tablet.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

I work digitally on certain projects like storyboards. That way they’re done quickly and are easily editable and I can make quick changes and crank out a set of 10-15 in a day.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

Computers are a great and useful tool, as long as you know what they do well and what they don’t. Promotion by computer is a necessity these days. I can’t imagine getting the word out about my art without it.

Thanks Kurt!

You can find Kurt Ankeny online at his portfolio website and weblog kurtankeny.com and on Twitter (@kurtankeny). You can find out more about the classes he teaches at ankenystudio.com.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

Brush, or nib pen and india ink. I tend to go through phases of what I like to draw with but this one has lasted for quite a while..!

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

Definitely don’t have a wide collection of materials as a student! I use the same pot of ink until it has completely dried out, and I’m particularly fond of an old battered paintbrush with about one strand of hair left in it!

If you prefer pens, is there any particular brand, color, or type of ink you like best?

N/A, although I do quite like using Rotring pens every now and again. They are nice and inky.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I often work in just black and white but if I’m going to use colour I almost always introduce colour into my work through screenprint. I find it really hard to visualise things unless I’m going to screenprint, I think sometimes I get a bit reliant on being able to screenprint because I can’t always! Otherwise I’ll paint with a combination of inks, gouache, coloured pencils and acrylics.. I find it hard to work with just one of them!

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

Favourite paints..I love really cheap black acrylic from WHSmith, but the rest of my paints are Reeves or Daler-Rowney gouache and Daler-Rowney acrylics, I wouldn’t have said they’re my favourites they are just what I have!

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

I’m sure everyone has said this but I love Moleskines. Although I prefer just to write and doodle in them than actually properly work in them. Most of my drawings and screenprints I just do onto sheets of cartridge paper.

I like the idea of having lovely chunky black sketchbooks but when it gets round to it I always feel a bit restricted working in a sketchbook.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

I really don’t like adding colour to work on Photoshop because all I can do is the paint bucket pretty much. If I could do textures etc I’m sure I would use it more. However most of my drawings I do on loose sheets of paper, which I scan in then create layouts and compositions on Photoshop which I usually then print out and screenprint.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

I once saw a man drawing in Paris with a really chunky propelling pencil and lusted after one for years, but could never find one. When I eventually did I didn’t actually like it…bit of a waste of time really!

Do you have anything you use out of the ordinary for making your art?

Not really. I sometimes do collage with old scraps of paper and collected vintage ephemera although these don’t seem out of the ordinary to me! I sometimes introduce textiles and stitch into my work but at the moment I’m pretty focused on printmaking.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

Definitely prefer doing things by hand but more and more I find that I need to use the computer for certain projects. I could work purely digital, I would go insane staring at a computer screen. It always feels much more rewarding when you physically/manually produce something as you can actually see the process and mistakes made along the way, where as on the computer that often gets lost, deleted or left behind.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

I think as an illustrator its pretty much vital to have a website or at least have an online portfolio of your work because illustrators often get commissioned work through art directors trawling the internet to find new talent, or simply going through links on websites, chances are the links will eventually lead to you.

I look at a lot of illustrators work online and on design blogs etc which I find inspiration from, but its not quite the same as flicking through a book is it?!

Also when doing illustrations you often need obscure images to draw from, and google and flickr are lifesavers in those situations, although again I would much prefer to draw from observation or my own photographs and books.

Thanks Alice!

You can find Alice Pattullo online at her portfolio website alicepattullo.com, on her personal weblog alice-pattullo.blogspot.com, and on the group weblog Illustrator’s Elbow.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

Good old F and H pencils are what I’ve been using lately. Col-erase pencils are fun as well. For sketching I quite like brush pens that you can cut up and cheap ballpoint pens that leak and do funny things are great.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

Depends how I’m feeling. Some mediums are more forgiving that others and things either lends themselves to good drawing days or not.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

I found these really cheap, almost poorly made black dollar store pens made by a brand called Menji. They’re not really good writing pens per say but great to sketch with. I find pens that do sometimes unexpected things are more satisfying to sketch with and things turn out to be a bit spontaneous.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I really like watercolour and gouache, though I don’t consider myself very proficient with either medium. Coupled with pencil crayons and Photoshop, the mix is interesting to work my colour with. I have a love/hate relationship with Acrylics. Sometimes they do what I want and other times they drive me up the wall as I’m not the fastest worker. I’d really like to get back into oil painting like my early art school days.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

Paints, I generally stick to Winsor & Newton and Golden, but I haven’t branched out much. I’m ashamed to say I bought a pocket watercolour set recently, but have yet to put it to any good use yet.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

I sketch mostly in my Moleskine sketchbook, but any heavyweight drawing paper is good. Bond paper is okay too.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

I like to paint on heavyweight paper (140-300 lbs watercolour paper block is nice) or cheap scraps of masonite.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

I use Photoshop quite often in terms of applying colours or tweaking, but not exclusively. Lots of the foundation work is done in gray scale with traditional media, with colour applied afterward.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Sometimes. Much more satisfying to experiment and muck about on your own.

Do you have anything you use out of the ordinary for making your art?

Nope, can’t say that I do.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

Lately it’s been half and half, but I find myself pushing towards traditional methods more and more. With no undo key, it keeps you on your toes and at the end of the day feels more fulfilling to me.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

I don’t think it’s necessary at all really. Walk into an art museum and look at a masterwork on the wall and that’ll say enough. If anything it’s been bad and good. Bad in the sense that it can be a crutch, where you can come to rely too much on simple tricks, smoke and mirrors and what not. Things can look mechanical or devoid of any personal human touch. Really depends on the industry you work in too. They’re indispensable when it comes to things like concept art where you can quickly make edits and pump out variations of pieces in relatively short time.

I’d have to say they sometimes help take the edge off my short comings as an artist, but I find them convenient at the same time. In saying that though, I make more of an effort these days to use the computer as a post processing tool because I really prefer putting real media to whatever canvas I choose. That’s fundamental.

Thanks Ed!

Ed Kwong can be found online at his portfolio website edkwong.com and on his weblog.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I like to draw directly in pen when sketching since it forces me to loosen up and lighten up and let things get as goofy as they often do. Or, if I want to be more accurate, drawing in ink helps me to remember to go slow and look closely at my subject.

Pencil: I’m rather fond of my Papermate Titanium .5mm mechanical pencil with built in eraser. I have a variety of drawing, drafting and mechanical pencils but I’m not too attached to any of them.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

The Pigma Micron .01 black ink pen is my favorite. I like the fact that ink is permanent and waterproof and doesn’t bleed or dissolve when adding watercolor the way some other “permanent” or “waterproof” inks do. I’ve tried many others, from fountain pens to dip pens to markers, but I always come back to my Pigma Micron.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

If I’m sketching from life, I choose my Pigma Micron. If I’m sketching from my imagination I usually use a pencil since I’m not sure where I’m going and kind of sculpt the drawing from scribbles as I go.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

Watercolor had been my primary medium for 30 years. Then a couple years ago I tried (unsuccessfully) switching to acrylic. I just couldn’t get acrylics to do what I wanted (though I will likely give them another try at some point). Then I moved on to oils and I’ve been studying oil painting since, while not giving up watercolor. I’m finding that some subjects look better to me in different media. For example, when I want to capture detail or delicate flowers, watercolor is my medium of choice; landscape, especially plein air, seems to call for oil painting.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

I have several different watercolor sets and two oil-painting setups. When I use gouache or watercolor in the studio I have two large Robert E. Wood palettes that live on a Boby tabouret beside my large drafting table. One is filled with gouache, the other with watercolor. My watercolors are a variety of artist colors mostly from Winsor & Newton and Daniel Smith, with a couple of Holbein and Schmicke colors thrown in.

When I go out to sketch in ink and wash, I carry a Winsor & Newton Artists’ Watercolor Field Box Set (over the years I’ve replaced all the original pan paint with colors I prefer from tubes).

If I want to use gouache in the field I carry an old small, Schmincke metal folding palette (my first watercolor set) that holds 12 half pans which I’ve filled with mostly M. Graham and Schmincke gouache from tubes.

I have a sturdy zipper bag I got at Utrecht that’s about 8x10 into which I can easily fit my entire sketching kit in (including sketchbook). The items I include in my sketching kit are:

• Micron Pigma .01 pen (my favorite sketching pen)
• Kuretake waterbrushes
• Kleenex purse pack of tissues
• Sketchbook
• optional extras:
  • 2 oz plastic squirt bottle (optional, easier than using waterbrushes to moisten paint and good for sprizting the paper if needed)
  • 2 oz plastic bottle with extra water
  • pencil
  • kneaded eraser

If I’m doing an actual plein air painting in watercolor rather than a sketch, I have a larger, Holbein palette. Then I use a watercolor block instead of a sketchbook and carry real brushes in a canvas brush holder, still quite portable.

For oil painting in the studio I have an old Stanrite Aluminum #700 easel and for field work I use my Soltek Pro (needed the Pro’s extra height because I’m tall). I’m currently using mostly Winsor & Newton oils and a few Gamblin but selecting my oil colors is still a work in progress.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

Lately I’ve been using mostly Moleskine watercolor sketchbooks and Strathmore Medium Drawing spiral bound sketchbooks. In the past I was fond of the inexpensive Aquabee Super Deluxe spiral bound. I’ve tried many others that I didn’t like for one reason or another. I recently purchased a Fabriano Venezzia bound sketchbook and am looking forward to using it next. Of course I’ll draw on just about anything if no sketchbook is at hand. One of my favorite sketches was done on the back of a bag of Trader Joe’s Biscottis while waiting in the checkout line.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

Yes! I’ve tried stretched canvas and practically every kind of painting panel there is and I LOVE Ampersand’s Gessobord. I use their 1/8” flat panels because they’re the least expensive, while still being “archival, museum quality.”

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

I went through a phase of drawing in ink or directly on the computer using a Wacom tablet and then coloring them in Painter for creating illustrations, but didn’t love spending so much time at the computer so have moved away from that for now.

I do post-processing in Photoshop when I prepare photos or scans of my artwork for my blog. Despite my care in lighting, monitor calibrating, etc., I almost always have to make some adjustments to the digital photos. I also do the same for photos I want to use for reference material.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Oh yes! I’m easily seduced by glowing descriptions by other artists of their new discoveries.

Do you have anything you use out of the ordinary for making your art?

Nope.

If you create purely-digital art, what are the software programs you use? Is one used more than another?

I was using Painter rather than Photoshop as it had more artist-friendly tools but it crashed way too often.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

I prefer spending less time at the computer since I have a part-time day job that requires me to be at the computer the whole time, as does blogging, and too much computer time = too many physical aches and pains.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

Yes, to all of the above.

Thanks Jana!

Jana Bouc can be found online at her website/porfolio janabouc.com, her journal and sketch weblog, and on Flickr (janabouc).

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I love pens and pencils, I haven’t played with markers too much lately but those are nice too. But mostly pens and pencils are my favorite drawing tools. lately I really like this mechanical pencil I have.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

I guess it depends on a lot of things, from what’s laying around to what kind of surface I’m going to be drawing on.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

I can say that I love most Japanese pens. There are these really nice ones called HI-TEC I think. they come in all tip sizes and I would always have a few different ones. I’m out of them now though, I need to find a good place to get them around here. I like the brush pens too with the stiff tips. another pen I like to use sometimes is the ball point, they are kind of like pencils in a way.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

Mostly oil, gouache, and watercolor.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

I mostly use a limited palette, I try to paint with like 4 colors tops. I guess I have my favorite colors, lately it’s been white, ultramarine blue, cad yellow, and burnt sienna. Sometimes I will need a stronger red with that one though. I have a tiny little Winsor & Newton watercolor kit that I carry around, I’ve had it since like 1998, I refill it as needed. It’s awesome. For gouache, I use an old CD cover for a palette and just a few tubes of paint. I haven’t painted outside with oils in a long time.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

I love Moleskines like the rest of the world. I’m grateful to whoever decided to bring those back from the old days. Sometimes I put too much pressure on myself to make an awesome drawing in those things, which can be good or bad, so I have a crappy sketchbook I bought at Walgreens too.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

I like Masonite a lot, with a nice coat of gesso for an oil painting. For gouache I like the Moleskine paper actually, the kind in the ‘sketchbooks’. And watercolor paper for watercolors, I’ve been meaning to get some good watercolor paper.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

Sometimes if a scan is weird I will have to tweak it to be more like the original painting before I post it on my weblog.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Probably. Whenever I see some great piece of art I get excited about it and want to know how they do it, and look at the tools I think that person used. but I usually realize that it doesn’t matter what kind of pen, or brush, or prepared canvas, or painting medium, or wacom tablet I use. but I have discovered things that work for me this way.

Do you have anything you use out of the ordinary for making your art?

I don’t think so, just the usual stuff.

If you create purely-digital art, what are the software programs you use? Is one used more than another?

I use Photoshop CS2 for my work at Doublefine productions. And the web comics I make there are all Photoshop all the time.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

Well lately I’ve been finding myself doing more digital work for my job, but I’m also starting to use Photoshop for my gallery paintings too, just in the preliminary stages though, composition, color, value. It’s a really fast and fun way to plan a painting. I do like drawing and painting in my sketchbook though too.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

I think the computer is a very helpful tool for me personally. The internet is amazing for reference. They are small and clean and you can do pretty much everything on them. Weblogs are great for people who know nothing about how to make a website, such as myself. I’ve also learned about many amazing artists I probably would have never heard of if it wasn’t for blogs. I don’t think a computer is necessary for making Art at all, but for me they are helpful and yes, a distraction.

Thanks Nathan!

Nathan Stapley can be found online at his weblog nathanstapley.blogspot.com, his portfolio is at nathanstapley.com and he has a online comic at Doublefine. Some of Nathan’s prints and original art are available at Gallery 1988.