What are your favorite drawing tools (pens, pencils, markers, drawing tablet)?

Probably you’ll be surprised, but it’s an ordinary graphite pencil. The softer the better. I like 9B most of all, but everything up from 4B works great too. They are usually wooden or just pure graphite. One of my favorites is the Austrian wooden clutched pencil Cretacolor I bought in London. I also like Faber Castell PITT Artist pens, Tombow ABT Dual Brush Pen and Pentel Color brush pens.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

I carry my drawing tools in my bag, so it’s always a bit messy inside. I was thinking about getting boxes, but still don’t have one. Going out I just pick up some tools I like at the moment, or the ones which are more suitable for the place where I’m going. It’s much more comfortable to draw with a pencil and felt tip pens while traveling on the subway for example. And the Pentel Aquash Waterbrush pen is good during a coffee break, when there’s some time to dry the pages of your sketchbook before you need to run somewhere else.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I like color in general, so I don’t really care what I use. I haven’t worked with oil since my uni days though. But all the rest, yes! Watercolor is tricky, but grateful, acrylics are good for my matreshkas, colored pencils remind me of childhood and felt tip pens are so bold I just can’t resist. Gouache Master Class is also one of my favorites. It has such a nice velvet texture!

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

I like Russian watercolors like St. Petersburg’s White Nights. I remember them from my childhood. Usually each pan of paint is wrapped in foil, so I felt like a child unwrapping them, like I’ve got a box of candies. And the quality is excellent, too. Foreign paints are usually too expensive and I hate expensive art tools … they don’t give me any chance to experiment, and I’m always afraid to ruin them. When I travel I tend to choose a small range of materials. For example, last time when I was traveling I had two Pentel Color Brushes filled with Indian black and orange ink, a dark grey Faber Castell PITT liner and two Tombow Dual Brush Pens, light and dark blue. The only thing that never changes is my soft graphite pencil.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

The main rule is the cheaper the better. I hate all those trendy sketchbooks deep inside.
I don’t want to think something like “I need to draw a masterpiece, because this sketchbook looks so nice and costs a lot.” Despite that fact, I have some Moleskines, but who doesn’t! Cahier Moleskines work best for me. They come in three different sizes, large one is good for projects and research, the one in the middle is for sketching and the smallest one is for notes and quick drawings on the run. My recent love is Muji Scribble Pads, they seem to be made for drawing with pencil. Scrap paper works good too, you just need to bind it properly and to not get irritated by the mess and to keep a step-by-step order.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

If it’s an editorial, then yes, there is some post-processing, but mainly because of rush. Usually deadlines are so tight, I don’t have any chance to experiment or make mistakes. With Photoshop I can change the color, add or remove something from the picture in two seconds. With, for example, watercolor I don’t have any chances to survive right now. The last editorial piece I was working on, it had to be made in an hour, for example.

On the other hand drawing for myself I make only analogue things. All the pages of my sketchbooks you can see in my portfolio are absolutely hand made.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

A lot of times! That’s how we all share information. For example once I’ve noticed colorful ink pens with a brush on its end on Bubi Au Yeng’s Flickr photostream. I asked her about the brand (it was the Pentel Color brush) and purchased the same thing for myself.

Do you have anything you use out of the ordinary for making your art?

Not really. The way your art looks like isn’t the result of using some special tool. The most important thing is your personality, way of living, who you are. Your inner world can help to turn an ordinary pencil into the magic wand. And if you don’t have much to say, I doubt there’s something that’ll help you.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

Well, it’s helpful, yes. You see, in case of editorial illustration there are deadlines you can’t avoid. And you don’t have time to go to the street or library to make a proper visual research. If I need to draw a giraffe, I’d like to look at it one more time to have a fresh point of view. The computer is also an excellent tool for self-promotion. I found my first client through the internet. To be precise, it was the client who found me. Nearly all of them came after they checked out my online portfolio. It helps me to reach art directors worldwide without even sending them a paper version of my portfolio, isn’t it magic?! And to meet people! I can’t imagine my illustrator’s career without the computer now.

Thanks Irina!

You can find Irina Troitskaya online on her portfolio website irtroit.com, on her weblog, and on Flickr (irtroit).

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I prefer traditional drawing tools: pens, pencils, colored pencils and markers. I’m less good with a drawing tablet, but I use it when the project calls for it. I have much respect for the simple pencil; it can be very rich and colorful in skilled hands. I also love to draw with ink because of its variable lines and spontaneity. I can’t resist not mixing all those tools together.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

It depends on the project, of course. Although I have periods of favorites: sometime I fall in love with colored pencils, other time I try out the set of new pens that I just bought.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

I’m not a fan of a particular brand. When I’m passing by an art tools shop, I can’t help not buying some new pens to try out. If there is one brand that I’m loyal to maybe it is Stabilo’s pens.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I love watercolor … it’s the hardest technique, because you can’t undo it; but that’s why it’s so beautiful. Recently I’m using more and more acrylic. It’s very convenient, because it dries very quickly. I don’t have time for oil, but I’m still missing its smell, pace, and texture. I’m also crazy about fancy colored pencil because they remind me of kids’ drawings.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

I love my Talens Van Gogh Plastic set. It isn’t too big for traveling. But usually I have limited amounts of colored pencils and pens for coloring in my bag. Sometimes the limitation is good.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

I discovered Moleskine sketchbooks a year and half ago and since then am addicted to them. My favorite is Large Sketchbook with heavy paper, which is good with almost every tool from plain pencil to acrylic. Its paper is good with all kinds of collages that I love to paste onto my sketches like napkins from restaurants, pieces of maps, parts of packages and so on. But on the other hand I love cheaper Cahiers with which I feel freer and not afraid to spoil its pages. I’m usually carrying two or three sketchbooks in my bag. It depends on the site or how much time I have, which one I use. I also use Watercolour Large notebook for watercolors (obviously!), and I love its horizontal format. I’m participating in some moly_x - an International Moleskine Sketchbook Exchanges, for which I’m using Pocket Japanese book. It’s a perfect fit for this kind of project, where several artists are continuing one other’s drawing. Of course, I’m not only using Moleskine kind of sketchbooks. For example, I have various Mead sketchbooks.

I love to draw on found papers and cupboards. I have a habit of keeping papers with interesting textures, packages, wrapping paper, etc.

I use them in my works as drawing pads or part of collages.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

Similar to drawing, I have “stage fear” … I feel freer painting on cupboards or paper. I feel obligated to a make “nice” painting when I have good quality canvas opposite me. I need to work this out, because some of my best paintings are on the poorer paper. It just seems to me fun to paint on flattened boxes, furniture and walls (in my studio and my kids’ rooms).

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

I experiment on coloring and adding textures to my drawings in Photoshop. It can get cool results, but I need to be careful not to use effects too much. Sometimes I’m scanning preparation drawings for some work and playing with them in Photoshop to find the best composition, and afterwards drawing it manually.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

It’s always nice to discover new tools from other artists. Unfortunately here in Israel we don’t have such vide varieties of brands as in the US or Europe. Many times I didn’t find the specific brand that I read about at some artists’ page. When I have to use the exact tool, I order it from the web.

Do you have anything you use out of the ordinary for making your art?

I always have a scrap of paper under my keyboard. After a while it fills up with very strange and interesting subconscious drawings. I’m using them in my works as kind of ideas generators.

If you create purely-digital art, what are the software programs you use? Is one used more than another?

I work in the Graphic Design and Web Design areas, so I’m friendly with Photoshop, Illustrator and Flash. I would like to increase my Illustrator skills. I love Flash for its simplicity, and many times prefer it to Illustrator for quick sketches and drawings; though, it’s not proper illustration software.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

I work more non-digitally. Maybe I’m a little bit old fashioned and I love the feeling of the real material. Though, you can get very real feeling on today’s graphic software. Of course, I don’t reject digital tools, I’m using them, and they’re very helpful. Maybe I’ll love them more when I’ll know them better.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

As I said above, the computer is my friend. I’m using it for post-processing and also for making art from zero. But the biggest benefit the computer gives me is being a huge source of inspiration. I can’t imagine working without it. It’s like a part of me with all my precious bookmarks, like endless boxes of surprises. I joined Flickr a year ago, and I feel that I’m part of a community of friends interested in my art. It forces me to work more and as I have already mentioned, it’s a great source for inspiration and learning from others. It allows me to participate in cool on-line projects, like Moly_x, or Urban Sketchers - another amazing web project.

Thanks Marina!

Marina Grechanik can be found online at her portfolio, on Flickr, and on Twitter (@marin71). Marina has also participated in the Moleskine Exchange exchanges #18, #29, and Portraits #1, and has contributed to Urban Sketchers.