What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I have to admit, being a girl first and nerd second, I spend all of my money on art supplies, video games and shoes. I love my Wacom tablet… one day it will be a Cintiq. Dr. P.H. Martin Concentrated Watercolors are great and last a lifetime. Any old mechanical pencil will do, Prismacolor Pencils (always True Blue and Crimson Red). Any and all paper, the stranger the size and texture, the better. Gray Tombow markers, Copic Markers, Winsor & Newton sable brushes (the Rolls Royce of brushes), acrylic gesso, extra fine sand paper, and Guitar Hero for when I can’t think of anything to do with all those art supplies.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

I honestly can’t! I go crazy when I walk into an art store, buying everything I see, and then I put it all away in my closet never to be seen again! HAhaha! I usually open it up whenever I feel inspired, get overwhelmed, close the door and walk away. My little sketchbook from my bag and my laptop are usually where all my ideas end up.

If there is a project that can’t be done digitally, like painting a vinyl or a canvas, I usually pull out my P.H. Martin watercolors and some acrylic paint. The two blend well and are incredibly vibrant!

If you prefer pens, is there any particular brand, color, or type of ink you like best?

I like warm gray Tombow markers, gel pens and Pigma Microns. Also, dried up Sharpie markers are fun to play with, especially when you take out the felt from the inside and ball it up to use as an underpainting.

My friend, Stephane Kardos taught me that. Merci!

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I usually color everything digitally because it’s 100% forgiving. Plus you can quickly reference textures and photo elements with ease and apply those bad boys to your painting directly.

I think using Photoshop automatically makes you a p*ssy. HAHah! You don’t chose to be, you just become one unwillingly!

I like to think that Photoshop is like a kind, nurturing mother who feeds you three well balanced, delicious meals a day… reads you a bed time story and then tucks you in at night until you realize that you’re thirty years old, have a flabby backside and you haven’t seen the sun in 6 years! So then one day you leave home, finding that the world is a terrifying place and you’re a hot mess!

Traditional media is the reality that’s harsh and unforgiving and it’s tough going to that from something so predictable and forgiving.

Not for me man, I’m sticking with Photoshop…. and maybe acrylics and watercolors if I’m feeling craaazy!

I really admire artists like Travis Louie, who can achieve what us digital artists can with just their hands and a canvas.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

I love cheapy mini watercolor sets. The color’s usually aren’t too saturated which is great for subtle sketching and quick tonal gestures under any ink or pencil drawings. It’s really fun and not too permanent.

Sakura Koi watercolor sketch boxes are my personal favorite. It’s refillable so you can swap out the little color cakes for any color you choose, which is great because pre-determined watercolor sets usually have a lot of “blah” colors.

And did I mention it comes with a refillable water brush! Sha! Awesome!!

Also Escoda travel brushes are great for field paintings and are gorgeous.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

I like sketchbooks.

As artists, I think we’re a little disorganized by nature, so we have to be extra attentive to our collective selves to keep us from tripping over stacks of papers and spending hours looking for something in a cluttered office. I don’t mind the size or the type, as long as it’s recognizable and in some way bound together.

On that note, I love Kunst & Papier sketchbooks. They have a great variety of sizes and won’t fall apart if they get wet or when you’ve schlepped them around with you for a while!

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

I love series paintings so if I can find a canvas or material that’s an interesting shape with a couple different variations to match, then that’s what I’ll get!

Like any artist who wanders the aisles, wood piles, junkyards, etc. You look for that canvas that inspires you.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

Always! Photoshop is the artist’s crutch but I love it.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Of course! I often look at Cartoonbrew, Conceptart.org, CGsociety.org, and blogs like animationbackgrounds.blogspot.com, and characterdesign.blogspot.com for inspiration.

Blogs are great for getting the artist’s perspective on the project rather than just looking at a finished piece with a limited description.

Do you have anything you use out of the ordinary for making your art?

Well sometimes I use a chain saw and human blood but that’s only on special occasions. ….That was a bad joke, I’m totally kidding!! BAAH!

Well, honestly, I sometimes use my hands, cotton, beaver whiskers, sharpened sticks, whatever is lying around that you think might make for a nice effect. Being an artist is being an inventor and an engineer…. and in some cases a MacGyver too.

If you create purely-digital art, what are the software programs you use? Is one used more than another?

Well I wouldn’t say “purely” but I use a lot of different software. It all depends on the project. As an artist, it’s good to learn as many different tools as you can so you have a bigger tool box, so to speak, when a particular projects presents itself.

For me, I rely predominantly on Illustrator, ArtRage, Sketchbook Pro, Maya, Zbrush and AfterEffects.

These days, I’ve been doing a lot of digital painting so Photoshop and ArtRage are my apps of choice! ArtRage is the MOST fun and only something like $25! Also, Alias’ Sketchbook Pro is great for sketching and cartooning. They have a free trial on their site too so go check it out!

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

I usually always start a project with a sketch in my sketchbook or on marker paper. Siiigh… nothing is more exciting than getting a new book of marker paper and tearing out the first page for scannage! Am I right!?? Ooh life’s simple pleasures….

Sooo, I usually start a project using just a regular mechanical pencil and some paper. Then I’ll scan it in or take a digital photo and paint on top of it in Photoshop. I’d say I rely 70% traditional, 30% digital.

I prefer sketching out my ideas before I scan them into the computer because it keeps me focused on the idea rather than the techniques and the color. Too many options can become distracting and before you know it, you have a beautifully rendered, boring idea. Kind of ironic how eliminating your options can make you more creative.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

It can be all of the above! I can’t tell you how many hours I’ve spent researching something for unspeakable amounts of time when I should have started the project long before. But that’s what’s so incredible! The internet is an endless recourse. I’m going to sound like a huge dork right now, but technology has brought so many ideas to life, so many questions to resolution and so many seemingly unattainable dreams to reality. I’ve met people via Facebook and LinkedIn that are freaking giants in the art world and they’ve taught me so much! Social networks and blogs have bridged generational, occupational and experiential gaps like nothing has ever done before! And online tutorials are teaching people things that us chumps paid, oooh, only about 100K for! Hahah (this is where I break into Kip’s “Technology” song from Napoleon Dynamite). Anyway, I like learning new tools and with the internet and software today, the skies the limit!

Some good sites for meeting other artists are: LinkedIn, Facebook, CGSociety, ZbrushCentral, Etsy, Artist’s Blogs, Artist’s Websites, and Google.

If you play your cards right and try not to freak anyone out (which I’ve done myself too many times to count hahaha) you can directly email your idols using these sites! Just tell them that you’re an artist looking for some feedback, blah blah blah, whatever! More often than not, you won’t hear back, but sometimes you will and that’s what makes it all worth while! One day when we’re all rich and famous artists, someone will randomly write us for guidance and we’ll be happy to help!

Thanks Whitney!

You can find Whitney Pollett online at her portfolio website whitneypollett.com, and on her weblog whitneypollett.blogspot.com.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

Mechanical pencils and watercolor are my main weapon, and and occasionally Prismacolor markers and Micron .005 pens make special appearances. Mechanical pencils are sort of a guilty pleasure, I put a huge priority on line quality and mechanical pencils give me the consistency I need — if I’m using a Faber-Castell graphite pencil, I can sharpen it to a nub in one sitting. I get a little overzealous with my sharpening.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

Not so much a wide collection, but a collection to say the least. I’ve done a lot of trial and error and never seem to throw anything away — so my materials are well worn, and for the most part, pretty shabby. I still use this crappy plastic watercolor set from high school, some of my brushes and charcoal may be older than that.

As for particular projects, I rarely have a final image in mind, so what I need for tools changes as I work.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

I’ve used Micron pens for years, although recently I’ve only been using one — the .005 red. Although the red color is a tiny bit too orange, the width of it makes every line delicate and precise, and also unforgiving. I am a glutton for punishment, I guess.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

Watercolor has the lower-end range that I really need, it has the capability to deliver a very subtle and muted palette. I use Acryla gouache as a highlighter, which gives me the opacity and saturation that watercolors can lack. I approach oil color in a similar way, transparent colors like burnt sienna is dark and saturated when applied thickly, but when thinned with turpenoid, the color is vibrant and makes for great layering.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

I’m in love with Holbein Acryla gouache, which functions more like acrylic than gouache, but their color selection is wonderful — I have a very specific palette of them, about 10, any more than that would give me too many options. I have this terrible Angora watercolor set which has 32 cakes of color, half of which are totally offensive and unusable — and I’ve used it for a year or so. I have some tubes of traditional colors that help me along the way. Everything’s a travel set with watercolor, I just throw everything into a totebag. Oil painting, not so travel-friendly.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

Moleskines. Moleskines forever. The tone and weight of the paper are perfect, and they put up with the ridiculous abuse I put them through. But otherwise, anything flat will do, legal pads especially.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

Buying pre-stretched canvas can be an easy option, but building and stretching your own is so much more satisfying! I also enjoy a nice panel of raw birch to scrawl on.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

I used to use Photoshop to color linework, many moons ago — but presently everything I’m doing is purely by hand. More and more I’ve been thinking about delving more into digital work, I like the idea of flexibility, but there’s also something very significant about having something physical and absolute.

Do you have anything you use out of the ordinary for making your art?

Other than a large collection of bones found in the desert as source material, not really.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

The computer, and the internet, are dangerous and amazingly helpful at the same time. I think it’s safe to say that the internet has influenced my artwork a lot, for the fellow artists and the infinite resources — I think artists my age owe a lot to it — and the visibility it provides. Aside from that, I’m terribly distractible and can’t imagine a world without Netflix instant play, or Google image search. I’ll take D, “all of the above”.

Thanks Stephanie!

Stephanie Brown can be found online at her portfolio website blueskycomplex.com, her weblog, Flickr (runsmiles), and on Twitter (@feralcatbox).

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I prefer using Faber-Castell indian ink artist pens/markers for most of my work because they just have incredible quality, great colors, and last a super long time. I have recently purchased a few Pantone Universe markers, which are extremely permanent, and have fine line and brush tips. Yet, they are overly potent, and kind of difficult to hold due to their square shape. Micron pens and Pilot pens are another favorite of mine for tiny details (lines, triangles, etc.), as well as white gel pens. When it comes to using graphite, I tend to use lead/graphite sticks housed within a metal holder for more control. I also frequently use powdered graphite to cover larger areas, create smudges, and build upon the page.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

Everything (including my media/tool choices) usually just evolves in itself. I suppose it just depends on what I am creating and what kind of effect is occurring at the time.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I use a lot of Faber-Castell watercolors, in addition to Acryla gouache paints. Recently, I began working on a larger oil painting, which is very strange due to the change in media and size.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

I work in 9.5” x 7” Moleskine sketchbooks/notebooks, as well as various scraps of paper. I’m currently working on a bookmaking project to create another sketchbook for myself. I like that it has a more DIY/hand-made feel, especially since I can make use of all the random paper just lying around.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

No way! I am very passionate about working on everything with my very own two hands. I try not to dwell and over-analyze/work on anything too deeply, and feel like that would probably happen if I began relying on a computer to “edit” my work.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

A friend of mine told me about those Pantone Universe markers, and although they have a huge array of colors…I’m just not too thrilled about them. Other than that, I haven’t really experimented with any new brand/company of art supplies.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

I think it really depends on what kind of art work one creates. Corporate graphic designers tend to strictly rely on computers to make logos, etc., but I love designers that have more of a DIY/hand-made aesthetic (such as Martin Venezky). Tumblr is a great tool that I regularly use for displaying work and discovering inspiring imagery. I keep up with various art/design blogs (such as designformankind.com and booooooom.com while drinking my morning coffee, too.

Thanks Rebecca!

You can find Rebecca Volynsky online at her personal art weblog, and she has some work for sale in her Etsy shop.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I actually love 3H pencils, Micron pens and very small (00 or smaller) inexpensive paint brushes. My boyfriend has been trying to get me to buy a drawing tablet (he swears by it!), but that hasn’t happened yet.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

I tend to go through paint brushes VERY quickly, so I don’t like to spend a lot of money on them. Every time I head to an art store I always try to stock up on the smallest, thinnest and least expensive brushes I can!

If you prefer pens, is there any particular brand, color, or type of ink you like best?

My favorite are 005 Black Micron pens, they’re the best!

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I actually use Flashe paint, which is a high pigment vinyl based paint. It dries very flat, which is great for scanning.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

I love a brand new notebook of any sort (cheap or expensive, small or big) and I always have great intentions of filling it with beautiful ideas and drawings. But somehow I always end up using them to make lists.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

I usually only like painting on sanded and shellacked Baltic Birch wood.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

I sometimes use Photoshop when color correcting my work, or if I have a short deadline on an editorial job.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

I actually started using Flashe paint after seeing another artist who used it. I had been working with acrylics, but was unhappy about the shine it produced on the wood when scanning the finish.

Do you have anything you use out of the ordinary for making your art?

Nothing too strange.. I do use small pieces of contact paper for each color I mix, when painting. For some reason, the typical mixing palette never worked for me.

If you create purely-digital art, what are the software programs you use? Is one used more than another?

I don’t use it a lot, but Photoshop can be very handy!

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

I feel most comfortable painting, but that’s probably because that’s what I do everyday.. I guess everything else is kind of out of my comfort zone.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

Computers are definitely the most helpful tool when it comes to promotion. With all the great art and design sites and blogs, there are endless opportunities for people from around the world to have access to great art and artists.

Thanks Kiersten!

You can find Kiersten Essenpreis online at her portfolio website youfail.com, on her weblog, and she is currently having a sale of her original art to raise money.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

The pencil is by far my favorite. I think the ones I use the most are Prismacolor “Turquoise” (they aren’t actually turquoise) and I like them a lot, but I’m really not too picky.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

I usually start with a medium hard pencil like an HB or H so it makes a lighter line but isn’t so hard that it won’t erase or make an actual dent in the paper. Then I move onto very sharp darker pencils to define lines better and do detail.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

I don’t use a lot of pens for finished drawings anymore. Sometimes I use Microns, 005 mm. in black ink.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I use watercolor, I’m tentative using color and afraid of messing up so I like having the option of doing progressively darker washes.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

I actually do have a small traveler set of Winsor & Newton watercolors that I love. It’s so handy and has all the right colors; usually I only use browns and yellows, and hints of blue and red, and they’re all in that set. I also have some small tubes, also Winsor & Newton, of colors that I use more of, like Van Dyck Brown and Raw Umber.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

For ideas and sketching I use a spiral bound hardcover notebook, I think the one I have is made by Strathmore. I also have a lot of scraps of Stonehenge paper around which I useful since I do all my finished drawings on Stonehenge (in “Natural” or Warm White color). It’s a cotton rag paper that I found out about through printmaking, it’s smooth and soft and takes color really well.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

I only use Photoshop for some cosmetic things after I scan them, adjusting the levels and adjusting the colors so it look like the original drawing.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

I’ve tried Gouache several times because some people can make it look so wonderful, but that’s been an utter failure for me, I just can’t get it to work for me

Do you have anything you use out of the ordinary for making your art?

I don’t know if it’s out of the ordinary but one of my favorites is a colorless blending marker made by Chartpak. I used some collage in my work and those pens have a chemical in them that will transfer photocopies to paper.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

Absolutely, I would be lost without it, I use it for blogging and promoting, and most important selling my work.

Thanks Julianna!

You can find Julianna Swaney online at her portfolio website Oh My Cavalier!, on her drawing weblog, and she has some original art, prints, and jewelry available for sale on her Etsy shop.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I always have a 9” x 12” sketchbook going but have not drawn too much recently which bums me out. In that I work with Sakura Micron pens and Sharpies.

I also always try to have a softbound small Moleskine in my pocket and a black ballpoint pen so I can sketch on the go.

The watercolor Moleskine and a Waterbrush are a lot of fun.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

Just depends on the mood I am in. Whether I want color or not, whether I feel like painting or drawing.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

Sakura Microns are great since they are waterproof and come in so many sizes and colors.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

Acrylic is my main medium. I used to use Liquitex Concentrated in bottles exclusively since they had so many opaque colors but more recently been using Golden fluid acrylics as well.

Daler Rowney FW Acrylic Artists Ink is pretty awesome. You can get so many “watercolor” effects but once it dries stays put.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

Paper bag is generally what I paint on. I like the tooth, the folds and the way opaque acrylics “pop” off the surface. I have started branching out with Arches watercolor paper and Okiwara paper for the acrylic ink and wash effects.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

No. I scan all my paintings or have them photographed. The only Photoshop action is sometimes tiling together multiple scans of larger pieces.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

The water brush I got from seeing a friend use it and how handy it seemed (water filled handle allows for water to slowly flow out of brush tip). Great for traveling.

The acrylic ink I picked up on a tip from Robert Hardgrave.

Do you have anything you use out of the ordinary for making your art?

Besides the bag, not really. My original bag paintings all had the drawings inked in with a bamboo pen, but now everything is pretty standard.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

Not necessarily a necessity, but the computer has certainly made the process faster for me. I am able to adjust images’ contrast so that they work better for my limited palette style. I also like the fact that I can scan my images and that is about the cheapest, easiest and almost best method of documenting for me. Websites I think are pretty critical for an artists exposure. Sites like Flickr help as well. It sure does become a distraction having a computer in the studio. Hearing the email incoming or just thinking about checking the weather or other online nonsense.

Thanks Chris!

You can find Chris Crites online at his portfolio website bagpainter.com and on Flickr.

What are your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

Pencil and paper. I like to keep things simple, with as little as possible in the way between me and the art. I construct my drawings in a non-photo blue pencil, then render them in either drawing pencil (2B & 2H) or in ink with a # 2 brush and disposable pens. From there, the work is (usually) scanned and colored digitally.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

The tools used will depend on what the finished work will be used for. Comics will usually get the ink/color treatment, while illustrated works (e.g. a book cover, CD liners) may end up as a full-on digital painting.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

I use disposable Micron pens. I used to depend on a set of Rotring Isograph technical pens that had an incredible ruler device in the lid of the case, but that set doesn’t seem to be made any more, and the other technical pens I’ve used just don’t perform as well. Microns (or any other brand of suitably dark brush pens) are quick and easy to wield, and give me a good solid ink line.

I also like to use a generic Staples brand black gel pen for sketching and looser work. It gives me a nice heavy black line, but allows me to more expressive and impulsive than do the Microns.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers? All of the above?

I like my color digital, if possible. I do use a Wacom at times, but, since I work from varied locations, I’m most comfortable with a mouse, and I love being able to manipulate photographs to add texture to my color. When I do paint a piece by hand, I prefer acrylics thinned with linseed oil (it slows the drying time and lets you work the paint better).

If you do use paints, inks, pencils or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets or do you need a full set of colors?

Winsor & Newton acrylics work just fine for me. I’ve also got a travel set of Pelikan watercolors that I’ve had forever that I sometimes use for painting backgrounds. I’ve gotten pretty good at mixing colors by hand, so I tend to work with a limited palette when I paint. I don’t have room in my studio or in my head for a wide range of colors.

If you have a different set of tools for working in your studio (or office, or home, or on the couch) and out in public (at the park, or a coffee shop), what are the differences?

My studio tools are mostly digital, excepting my drafting table. It’s a huge wooden job with a built in light table that some friends gave me for a birthday a couple of years ago, and it’s an object of pride in my studio. When working away from home, I mostly use a mechanical pencil or the Staples brand pens I mentioned earlier.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

Strathmore bristol for finished pencil or ink work. For sketchbooks, it’s a matter of what’s at hand. I’ve got sketchbooks ranging in size from about 3 inches square to 11 x 17, although if given a choice, I’d rather do my rough work on plain old bond paper. Comes from all those years spent doing phone doodles in an office environment.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or other material?

For commercial work, I prefer a nice smooth Hi-Art illustration board. I sometimes like to mix ink with watercolor with acrylics, and nothing else takes the various media quite as well. Occasionally, I’ll work on canvas board or plywood with lots of primer, but they’re exceptions.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your art?

Yes. Almost always. As I mentioned earlier, I enjoy fiddling around with photographs to add textures to my art, and a judicious use of filters can save me hours of drawing and painting time. I prefer working with The Gimp, but until they add proper CMYK support, I’ll be working with Photoshop as well.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

I use the Micron pens because a friend (Ian McDonald, creator of Bruno the Bandit recommended them to me, and I happen to really like his inking, and especially his lettering. I got the trick of using linseed oil with my acrylics from a book by Boris Vallejo, and from being very frustrated with the quick drying time, because I like to fiddle around with my colors once I’ve laid them down.

Do you have anything you use out of the ordinary for making your art?

Is Google still considered out of the ordinary for this sort of thing? For reference, there’s no better tool than Google Image Search. Also, Wikimedia Commons is the source of many a photographic texture for me. I’ve also just started using a program called Ginipic that searches various image sources like Google, Flickr, etc., but I’m still getting the hang of that one.

If you create collages, where do you get the materials and objects you use in your pieces?

I don’t do collages as such, but I will sometimes scan objects from around my house to use as textures.

When creating your digital art, what are the software programs you use? Is one used more than another?

I like working with the open source program The Gimp. I find it’s brush scaling preferable to Photoshop’s, and some of its filters work well for me. There are some little interface tweaks in there that I prefer, but that may just be because I’m more used to them. Also, I’ve collected a nice assortment of Gimp brushes from Deviantart and haven’t found Photoshop replacements for all of them yet. If I know that the piece is going to be used digitally, or if CMYK does not matter, I’ll use The Gimp to complete the project. Otherwise, I’ll very often build up most of the piece in Gimp, then export it as a .psd and finish it off with a CMYK conversion and some color adjustments in Photoshop.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

The last couple of years, I’d say about 90% of my work is finished digitally, although it always starts out on the drawing board. I love the tactile immediacy of pencils, pens and brushes, but I also like the speed and intricacy of digital work, so it’s a tossup which I prefer. I work in digital more because that’s where my market is. Most of my clients approach me online, and the work is delivered to them via email or online storage services.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

For me, the computer is absolutely indispensible. It’s a sales tool, a communications device, and a production shop all in one. The internet is the largest swipe file and reference book you’ve ever seen, and the availability of so many free tools for writing, art production and self-promotion has significantly lowered the cost of getting your work out to the public.

It can also be quite a distraction if you allow yourself to get lost in surfing the net or tweaking out your system, but that’s a test of the discipline of the artist. Any tool is only as good as your use of it.

Thanks Mike!

Mike Dominic can be found online at his weblog paladinfreelance.com. His older webcomics can be seen at “The Journals of Simon Pariah” and guest stories at Bruno the Bandit.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I like to start sketching with a simple 6B pencil or a blue pencil, sometimes I use markers, sometimes I sketch directly on Photoshop with a tablet (I have one of those Wacom Bamboo).

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

It depends on the project and on my mood! But I like to try different tools a lot.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

I use those Sakura Micron pens a lot, and sometimes I use Tombow’s brush pens, they have a lot of colors. Sometimes I use white ink Uni-ball Signo Gel Pens to do some details as well.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

It depends! I’ve been trying acrylics diluted on water on canvas lately… it looks like watercolors. Talens gouaches are fun to use too!

On my sketchbook I use a lot of markers and sometimes colored pencils too.

But mostly I color with Photoshop.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

I have a Winsor & Newton travel set for watercolors that I almost haven’t used yet! I need to practice some watercolors! As for inks, simple India ink and a nice Rembrandt number 2 brush.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

I have a lot of sketchbooks, with lots of types of paper! For a simple experimental sketch, anything works. For watercolors or any watery paint its better to use Fabriano papers.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

Yes. I do it a lot! I mostly use Photoshop to adjust levels, colors and to put pieces together when I’m not directly drawing or coloring with it already.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Yes! I’m always looking for tips on what kind of material it’s best to use! And I love to try new materials or medias.

Do you have anything you use out of the ordinary for making your art?

Hmmm, lately I’ve been sewing up some details on canvas… just an experiment! :D

If you create purely-digital art, what are the software programs you use? Is one used more than another?

Mostly Photoshop, sometimes Painter and sometimes I like to sketch a little bit on ArtRage or Open Canvas.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

I do more digital work. Mostly because it’s more practical for the kinds of jobs I do. But I like to balance it and try to do non-digital work whenever I can.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

I think nowadays it’s more than helpful for me, it’s a necessity! But you need to be careful not to be too distracted with that bunch of information you have in front of you.

Thanks Amanda!

You can find Amanda Grazini online at her weblog amandagrazini.blogspot.com and on Flickr (amandagrazini). Amanda also has some work available for purchase in her Etsy Shop.

What are your favorite drawing tools (pens, pencils, markers, drawing tablet)?

My favourite drawing tools are Faber Castell PITT Artist pens, Pilot Super Grip pencils, Pentel brush pens and my Montblanc fountain pen.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

I carry my drawing tools in a small Muji Pencil box. It means I can only carry 4 pens at a time, I like the fact that I have relatively few choices and don’t really have to decide what pen to use at any time. Saying that I have tried lots of different type of pens from Rotring, Edding, Staedtler to Pigma Microns but for the moment I like drawing with brown ink as it throws the line back a bit and makes it a bit less dominant than a black line. I carry the Pentel brush pen and fountain pen as sometimes its good to have a looser approach and using a fountain pen or brush stops you be too precise and tight.

The other kit I carry around with me is another Muji Pencil box (large) in it are 2 pencils 2b and 4b, a pencil sharpener, a rubber (or for Americans an eraser) and 2 Pentel water brush pens a medium and a large. The box is padded with tissue to stop them rattling about.

All thats left is a small Winsor & Newton travel watercolour kit. I’m in the middle of trying to simplify the colours I use, but I like to replace some of the pans with colours I prefer such as Permanent Sap Green, Neural Grey, Permanent Mauve and Cerulean Blue. Typing this out I realise that maybe its colours suited to the Scotland’s landscape and light?

It’s all really basic. If I just want to draw on the way to work I take the small Muji box. If I want to paint I take the larger one with the watercolour set - no thinking involved at all! :)

If you prefer pens, is there any particular brand, color, or type of ink you like best?

Apart from Faber-Castell PITT artist pens I like to use Noodler’s Bulletproof ink in my fountain pen. It’s a total lifesaver as you can work over the top of it with watercolour.

How do you like your color? Watercolour? Acrylics? Oil?

I use watercolour pretty much all the time in Moleskine sketchbooks. They react pretty strangely to watercolour almost repelling the paint so you have to work in washes almost scrubbing the paint into the page. From what is kind of a negative thing, I’ve got into painting this way and enjoy the results. So, now I’m trying to do watercolour on proper paper and finding it really difficult.

You recently posted a weblog entry with the kit you carry around. If and when you work at home, or in an office, do you use the same types of tools, or do you have a larger set of colors, pens, brushes, etc.?

Yes, I have a larger variety of brushes and pens to choose from. I also use Dr. Ph Martin inks as well they really add a vibrancy to watercolours. So if you want the reds and greens to really pop out of the page its amazing fun to try these out.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

Sorry, I’m a sucker for Moleskine sketchbooks, its a little bit embarrassing how ubiquitous they are. The fact that they are expensive is quite a good thing as you’re not likely to leave them lying about, but because it takes me about a month or two to fill one they turn out to be okay value. Also I like the fact they fold flat so I draw over the two pages, its seems quite a small thing but its a rare quality in sketchbooks. Finally the proportion for the moleskine large sketch book just, well feels right.

I sound like a total fanboy!

I carry around sketchbooks around pretty much all the time, but aye if there’s a scrap of paper around I’ll use it.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

Oh, occasionally. The Moleskine paper is quite yellow. So what I generally do in Photoshop is take a colour sample of the paper colour add a new layer and fill that layer with the colour then turn this layer off. The layer with the drawing I use auto tone, colour and levels to accentuate the tone and colours, but it takes the yellow tone away. I then turn that yellow layer back on and choose “multiply” and reduce the transparency to what looks right.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Yes I’ve tried some new Kuretake brush pens which I read about on Meg Hunt’s site which have an amazing dark fluent line. I think they’re for Japanese calligraphy. I just wish they weren’t water soluble.

Also I’ve experimented with trying dip pens after an article by Kevin Cornell who recommended Hunt’s Speedball #102 nibs.

Do you have anything you use out of the ordinary for making your art?

When I’m traveling abroad drawing I carry around a Fuji Pivi printer which does small polaroid type photos. Instead of carrying glue to stick all those handy exotic receipts, tickets and bags of sugar you can buy pre blobs of glue on bits of paper. I put these handy things in the back of my Moleskine.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

Yes, all of the above! I’ve avoided doing digital colouring deliberately. I’m not sure if I’m doing the right thing using watercolour but its something I really want to stick with as I’m really enjoying the process.

Building a web presence and finding like minds has been incredible! At the same time I need to get away from the computer and make things.

From your CV/folio it looks like you do more web design and layout. Do you, in a way, consider that art? I certainly do, even though I’m not very good at it. I’m more on the programming side. If so, what are your common tools for web design and graphic/art layout?

I don’t know if web design is art? I use Photoshop for layouts and Illustrator for more design logo work.

For so long though its been part of who I am as a designer who likes to sketch. I’m at a crossroads at the moment as I’ve left the BBC and I’m looking to try and spend more time doing illustration. It’s a big step for me but at the moment it feels like the right thing to do.

Thanks Wil!

Wil Freeborn can be found online at his weblog, on Flickr (ghostschool), and on Twitter (@ghostschool). Wil also participated in the 6th Moleskine Exchange.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I like to draw directly in pen when sketching since it forces me to loosen up and lighten up and let things get as goofy as they often do. Or, if I want to be more accurate, drawing in ink helps me to remember to go slow and look closely at my subject.

Pencil: I’m rather fond of my Papermate Titanium .5mm mechanical pencil with built in eraser. I have a variety of drawing, drafting and mechanical pencils but I’m not too attached to any of them.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

The Pigma Micron .01 black ink pen is my favorite. I like the fact that ink is permanent and waterproof and doesn’t bleed or dissolve when adding watercolor the way some other “permanent” or “waterproof” inks do. I’ve tried many others, from fountain pens to dip pens to markers, but I always come back to my Pigma Micron.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

If I’m sketching from life, I choose my Pigma Micron. If I’m sketching from my imagination I usually use a pencil since I’m not sure where I’m going and kind of sculpt the drawing from scribbles as I go.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

Watercolor had been my primary medium for 30 years. Then a couple years ago I tried (unsuccessfully) switching to acrylic. I just couldn’t get acrylics to do what I wanted (though I will likely give them another try at some point). Then I moved on to oils and I’ve been studying oil painting since, while not giving up watercolor. I’m finding that some subjects look better to me in different media. For example, when I want to capture detail or delicate flowers, watercolor is my medium of choice; landscape, especially plein air, seems to call for oil painting.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

I have several different watercolor sets and two oil-painting setups. When I use gouache or watercolor in the studio I have two large Robert E. Wood palettes that live on a Boby tabouret beside my large drafting table. One is filled with gouache, the other with watercolor. My watercolors are a variety of artist colors mostly from Winsor & Newton and Daniel Smith, with a couple of Holbein and Schmicke colors thrown in.

When I go out to sketch in ink and wash, I carry a Winsor & Newton Artists’ Watercolor Field Box Set (over the years I’ve replaced all the original pan paint with colors I prefer from tubes).

If I want to use gouache in the field I carry an old small, Schmincke metal folding palette (my first watercolor set) that holds 12 half pans which I’ve filled with mostly M. Graham and Schmincke gouache from tubes.

I have a sturdy zipper bag I got at Utrecht that’s about 8x10 into which I can easily fit my entire sketching kit in (including sketchbook). The items I include in my sketching kit are:

• Micron Pigma .01 pen (my favorite sketching pen)
• Kuretake waterbrushes
• Kleenex purse pack of tissues
• Sketchbook
• optional extras:
  • 2 oz plastic squirt bottle (optional, easier than using waterbrushes to moisten paint and good for sprizting the paper if needed)
  • 2 oz plastic bottle with extra water
  • pencil
  • kneaded eraser

If I’m doing an actual plein air painting in watercolor rather than a sketch, I have a larger, Holbein palette. Then I use a watercolor block instead of a sketchbook and carry real brushes in a canvas brush holder, still quite portable.

For oil painting in the studio I have an old Stanrite Aluminum #700 easel and for field work I use my Soltek Pro (needed the Pro’s extra height because I’m tall). I’m currently using mostly Winsor & Newton oils and a few Gamblin but selecting my oil colors is still a work in progress.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

Lately I’ve been using mostly Moleskine watercolor sketchbooks and Strathmore Medium Drawing spiral bound sketchbooks. In the past I was fond of the inexpensive Aquabee Super Deluxe spiral bound. I’ve tried many others that I didn’t like for one reason or another. I recently purchased a Fabriano Venezzia bound sketchbook and am looking forward to using it next. Of course I’ll draw on just about anything if no sketchbook is at hand. One of my favorite sketches was done on the back of a bag of Trader Joe’s Biscottis while waiting in the checkout line.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

Yes! I’ve tried stretched canvas and practically every kind of painting panel there is and I LOVE Ampersand’s Gessobord. I use their 1/8” flat panels because they’re the least expensive, while still being “archival, museum quality.”

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

I went through a phase of drawing in ink or directly on the computer using a Wacom tablet and then coloring them in Painter for creating illustrations, but didn’t love spending so much time at the computer so have moved away from that for now.

I do post-processing in Photoshop when I prepare photos or scans of my artwork for my blog. Despite my care in lighting, monitor calibrating, etc., I almost always have to make some adjustments to the digital photos. I also do the same for photos I want to use for reference material.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Oh yes! I’m easily seduced by glowing descriptions by other artists of their new discoveries.

Do you have anything you use out of the ordinary for making your art?

Nope.

If you create purely-digital art, what are the software programs you use? Is one used more than another?

I was using Painter rather than Photoshop as it had more artist-friendly tools but it crashed way too often.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

I prefer spending less time at the computer since I have a part-time day job that requires me to be at the computer the whole time, as does blogging, and too much computer time = too many physical aches and pains.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

Yes, to all of the above.

Thanks Jana!

Jana Bouc can be found online at her website/porfolio janabouc.com, her journal and sketch weblog, and on Flickr (janabouc).