What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I think it all really depends on what I’m doing. I’m in love with my brushpen, but it’s totally balls for penciling roughs. Balls. But really, I’d have to say my red Col-Erase pencils, my Pentel Brush pen, and my Pentel RSVP ballpoint are my daily heroes.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

I sit at my desk and ask myself this question while staring at the array of pens and pencils and brushes and god knows what else. I painted with a feather once. Not like the end they make quills from, but the fluffy part. I guess what I end up doing is really thinking about what kind of line I want to achieve, and which one of these damn things is going to give me that. Sometimes I trace over drawings a few times with different pens to see what I like best for that particular project. Mostly I get really frustrated and just use a ballpoint.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I use acrylics pretty much exclusively right now. Although I’m considering getting back on the gouache horse that I fell off after art school. Such bright, creamy, vibrant colours. I’m also feeling a lot of nostalgia for crayons and pencil crayons. I feel a hefty need to play with them again.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

Anything cheap. I buy SO many paints in crazy different colours that if they weren’t cheap, I’d be bankrupt. Or ten grand in debt to a loan shark in order to feed my colour addiction. For acrylic I usually end up buying the Liquitex Basics, and I use Golden mediums with them.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

As long as the paper is smooth as butter and completely toothless. I hate HATE textured paper. With a fiery passion. yuck. I also prefer that sketchbooks be hardbound, I don’t like spiral ones because the pages slip around and rub against each other and everything ends up all smudged.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

Canvas is balls. I hate the regular texture to it. I prefer to work on paper for my illustration work, and wood or masonite boards for fine art. Or as I just did the other day, I spread light acrylic modeling paste all over the canvas, like icing a cake, and when it dries it has this look of old plaster. A great texture to work on.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

I do go the digital route sometimes. Usually when I’m in a hurry, or I want something really smooth and uniform. In which case I usually colour my linework in Photoshop, and then drop in flat colours. I’m no good at digital painting though.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Yes, actually. I was hearing all this buzz on the interwebs about the Pentel brush pen, and I was looking for a good brush pen anyways. I hate the felt tip kind, the tip gets all fuzzy and gross after 1 drawing, and there isn’t as much control over the line weight. If you can’t tell already, I’m really anal about my drawings, but I also like a little bit of messiness. Sadly I’m incapable of actually letting myself be messy. I found the Pentel pocket brush gives me the perfect amount of control vs. chaos. Plus it fits in my purse so I take it everywhere!

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

Lately I’ve found myself slowly moving closer and closer to working digitally, which I have always steered clear from up until now. I LOVE the physical act of painting, of getting it all over my fingers and in my hair and on the sleeves of my favourite sweater that I forgot I was wearing again. But I’m also an illustrator, and there is often a big time issue, I can work faster digitally, mostly because when working digitally I simplify myself a lot. Even more so than that, I’m a starving artist with a terrible, old and shitty scanner and lately it’s just not worth fighting with it, or paying someone to scan it for me.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

I have a huge internet presence, probably too much so. I have two blogs, a website, way too many email addresses, and I’m on Twitter 24-7. My entire fan base (tiny as it is) is online, so without the computer and internet, I’d be even poorer (hard to imagine). I also have a catalogue of work I find inspiring in a folder on my computer. Anytime someone on one of the many blogs I follow does something mind boggling, I drag it into the folder and look at it for hours.

Sadly it is also SUPER distracting, and I’m starting to learn that I have to shut everything off and buckle down, or I can waste entire days playing around on the internet making dick jokes on twitter and chatting, and trolling through other people’s awesome work that they can do because they are not addicted to the internet.

Thanks Britt!

You can find Britt Wilson online on her portfolio website brittwilson.com, her weblog Britt, a Wilson, on Twitter (@Britterson), Flickr (batamarang), and on a weblog she shares with Vicki Nerino: Uterus Parade.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

When I began working as illustrator I always used Van Gogh watercolors, but now I prefer to use acrylics and pencils and I use a drawing tablet for the final details or to fill big surfaces.

I use 2B and HB pencils to sketch and sometimes I try to colour with watercolors or coloured pencils.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

I don’t have a very wide collection, so it’s not a difficult decision. If I use a product and I like it then I don’t need to look for another.

I start sketching with a graphite pencil and after that I try different tools.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

I don’t use pens very often but I like to ink using my Rotring 0.5.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I started using watercolors but now I use acrylics and colored pencils. It depends on the project.

Lately I love to sketch with a red Col-Erase and colour with Da Vinci gouache.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

I have a Winsor & Newton watercolor travel set. I use it to paint my sketches. At the moment I am really enjoying using a set of colored pencils by Lyra.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

With the years I’ve become more and more neurotic about the notebooks. I need one where I write and do my sketches. I was overwhelmed having scraps of paper everywhere with notes and sketches. But I don’t have a preferred brand. The most important thing for me is that the paper is smooth. I think that for writing, the best brand is Clairefontaine. I’ve never tried a Moleskine, maybe I should!

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

I like to paint on wood and on canvas. But I don’t have any preferences. Most of my work is on paper. When I buy paper it has to be minimum 180 grs and smooth.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

Well, I try to avoid digital post processing but sometimes I make some changes using it. It helps very much.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Yes, I read about the Rapidograph in Danny Gregory’s blog Everyday Matters. I tried it but I’m not comfortable with it. But he does wonderful drawings with it.

Do you have anything you use out of the ordinary for making your art?

No, I don’t think so. I use paper when I do collages. Toothbrushes to add color and sometimes I make my own stamp to create a pattern in an illustration. And I use fabrics, too.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

I’m always doodling in my notebooks and they’re sometimes a very useful resource when nothing comes to my mind. I start sketching with pencils and I try to maintain this type of line. For other work I try to use not line at all, so I work with the computer a little more. But I work mostly non-digitally. I find that it’s more fun and it’s very relaxing.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

The computer is a great tool. It saves a lot time and effort to try colors on the computer. It’s very helpful for me.

The computer and being online it’s a very fast and useful way to be in contact with other artists, to get to know and to see things in places where I wouldn’t be able to go.

Working alone at home it’s become a very important tool to promote my work and to share ideas with other artists.

Thanks Natascha!

You can find Natascha Rosenberg online at her portfolio website natascharosenberg.com and on her weblog: Natascha’s Blog.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

My favorite drawing tools are pencils, ballpoint pens and brush pens. I love switching them around when I work on illustration work.

I love trying something new and making mistakes. I think this progress is essential for artists to grow.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

I guess it really depends on what kind on project I am working on. I would have to pick materials that I can work faster if a short time is given for the project. I would probably pick something that I can take my time working with if I have extra time for the project.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

I mainly use the pencils from Lyra (Germany) from 8B-4H. These pencils are very smooth and are very comfortable to work with.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I use Acrylics the most. It’s because it dries faster. I would love to start using oils when I get a chance though.

I have recently started using Colored pencils as well. They’re fun to mix with Acrylics.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

I have been using Ceramcoat paints which are very cheap like one tube for a dollar. I love them because they are really chalky and I love how they look when they’ve dried. It makes an odd texture and it’s great material to give some texture to a piece.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

I use the Moleskine. I used to use another kind of sketchbook but I guess they have stopped producing them. I have been looking for a good sketchbook but it’s really hard to find one.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

I normally paint on Stonehenge paper and wood. I work with a lot of layers of paints, as I mentioned, so I like the material to have a harder surface so that it dries faster and I can work efficiently.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

I often take a photo of my sketch before starting painting to check what colors would work the best. It’s hard to start painting without visualizing how it’s going to be done, so I normally try to use Photoshop to check when I paint.

When I work on illustration, I normally combine both traditional and digital, so I would say 50% of an image is done by traditional and the other is done digitally.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

I have tried so many materials because I love to try out something new. I forget the name of the ballpoint pen Joe Morse (illustrator) uses.

He was teaching a life drawing class one day and I had a chance to see his sketchbook. I was so amazed how fine his line work was.

And I bought the same pen and tried it out. Then I figured it’s not because of the pen, Joe Morse has such an amazing control of pens. He is so amazing.

Do you have anything you use out of the ordinary for making your art?

I often make textures out of Acrylics and scan them in.

If you create purely-digital art, what are the software programs you use? Is one used more than another?

Definitely Photoshop. I am not really good at other software programs to be honest.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

It’s hard to decide actually. I think both of them are very different from each other. I love painting because every decision you make is crucial, so it’s very adventurous. I love digital because it allows me to undo things and try many things, so it’s very adventurous as well.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

I think it’s a helpful tool for making art. Especially when I need to reference something, it’s very accessible and time saving.

It’s a distraction sometimes though. It makes me procrastinate.

Thanks Yuta!

You can find Yuta Onoda online at his portfolio website yutaonoda.com, his weblog, and he is beginning to sell prints of his work at inPRNT.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I most enjoy working with pencils and permanent ink pens.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

Often I start making sketches in pencil, but I use pens with lightfast ink on all my final drawings to make my artwork more archival.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

My favorite pens are from the Faber-Castell PITT artist pens series, especially the pens with black waterproof India ink.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

I use a combination of water-based painting techniques - watercolor, gouache, and acrylics.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

I like Lascaux acrylics and Winsor & Newton watercolors. I use top quality paints to make sure my artwork will last for a lifetime.

Travel sets are fun, and I do usually take some art materials with me when I travel.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

My favorite papers to work on are thick handmade papers that are made in France. I love the deckled edge and the textured quality of the paper. It makes the completed works seem almost like “objects.”

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

I do sometimes work on canvas or panel, and I like working on wood very much. Sometimes I carve bits out of the wooden panels to give my images a more dimensional quality.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

No.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

I think I am usually more inspired by the imagery in the work, than the actual materials. However, I especially like looking at artwork from other mixed media artists.

Do you have anything you use out of the ordinary for making your art?

In my collage work, I use papers that I collect from all around the world. I love Japanese, Indian, Asian, and Italian papers; there are many multi-cultural, handmade papers that I find beautiful.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

I prefer to work non-digitally as much as possible. I just like getting my hands dirty, I suppose!

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

Although I don’t use the computer to make my actual artwork, I have found the Internet to be an incredible tool to use in promoting my artwork and making contacts. Through the Internet, I have found an online network of artist and designer friends who are wonderfully helpful, friendly, and like-minded. I don’t know what I did before I met them.

Last year, I bought an iMac and a new digital camera, and I am really happy with both. The quality of the photographs I can make of my work has improved dramatically, and I am now able to print and sell high quality digital reproductions of my artwork in my online shop.

Thanks Stephanie!

You can find Stephanie Levy online on her weblog stephanielevy.blogspot.com, on Flickr (stephanielevy), Twitter (@stephanielevy), and her work can be purchase online in her Etsy shop. Stephanie also runs the wonderful Artists Who Blog.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I normally use pencils, markers, papers, cardboard, small objects I come across, wool, wood, thread, needles and even the drawing tablet when using my computer.

I consider paper and objects as drawing tools because one part of my work is collage, so I utilize these materials to “paint” with them.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

It depends on the work. If it is a commisioned one, its character helps me make the decision. When it is free work I prefer collage, so I have a pile of scrap papers all over my table, and I play with them until I find an association that catches my eye and serves as a starting point. If I have no papers nearby, my choice is to draw in my notebook with propelling pencil or with markers.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

I use a propelling pencil with 0.5 leads. I love fluorescent markers too.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

Colored pencils, markers, papers and computer colors.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

I have a bunch of colored pencils and markers of different kinds and origins all mixed together in a bag. I can buy them from a specialized art store to the convenience store next door. My favorite one depends on the mood of the day.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

For sketching, I prefer Moleskine and Muji notebooks, but any other notebook with a nice paper could do as well. Nevertheless, the notebook has to be small in size; the limits of the paper help me with the composition of the drawing.

For final works, my favorite is the Fabriano paper.

And of course, for collages all kind of old and used papers are great, and sometimes I even rip off pieces of paper from worn-out posters I find in the streets. I also do some scavenging in the paper recycling bins I happen to pass by.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

I apply color and texture to some of my pencil drawings with Photoshop. In the case of collage, I post-process them very few times on my computer.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Yes, for example reciently I saw an artist friend of mine using felt markers and I wanted to try them instantly. Also books and the internet are an inspiration for new tools.

Do you have anything you use out of the ordinary for making your art?

Maybe the cardboard and found objects, but I don’t know if I can say they are out of the ordinary. Lots of people work with them.

If you work both digitally and non-digitally, which do you find yourself doing more? Is there a reason you would prefer one of the other? Is it because of the tools available in either space?

The starting point is always non-digital. I feel freer and closer to the work, when I touch the paper with my hands. Another reason is that I love the warm, imperfect look of the non-digital materials. But I need most of the time the digital tool to finish the work.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

It is fundamental for all the reasons above, but it is also a big distraction. You know; checking your e-mail, browsing the internet, chatting with friends, one can’t decide when the work ends and the fun begins. Time flies.

Thanks Blanca!

You can find Blanca Helga online at Flickr (blancahelga), her profile at Studio Banana (the arts collective she belongs to), and her Etsy shop. Blanca Helga’s latest video, called “The story of a little blue horse”, can be seen on Vimeo.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I really adore calligraphy pens, the felt tipped, waterproof archival kind… they are superb for correspondence, making my titles and handwriting a little more fancy. There’s something magic to those Zig brand pens, that give my lines an extra edge. Also totally addicted to gel pens, their flow and ability to blend or bleed a bit into watercolors depending on what I’m doing is satisfying. As for pencils, I love all kinds, but they have to be totally sharpened at all times since I draw so lightly and like details. I use a metal sharpener that makes a killer point.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

I’m a bit spread out as far as mediums go - since I always have to be creating, I never run out of projects to do and rotate between them all to keep the momentum alive. If the light is right (sun is now coming to Seattle) I’ll pick one of my many loaded film cameras and go shoot some frames; if I have new music to paint to, I’ll be at my desk bursting out the watercolors… My jewelry line is always in the forefront, I work on something for it everyday - whether it be shipping orders, dropping off pieces at boutiques, sketching and researching new ideas or getting out all my chain and laying out what’s next.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

Uni-Ball Signo 207 Gel Pens. Black!

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

Yes please.. all of the above. Especially watercolor. Before my first son was born, I primarily worked in oils. But I soon turned to water-based paints when I found out I was expecting him to cut down on the fumes and chemicals I haven’t looked back since - and he’s seven! I love my set of Prismacolor pencils, I’ve used them for years. And anything from cheap craft paint to pricey real deal tubes can yield all different results depending on the purpose I need them for.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

I adore my flat, folding palette. Even if I’m at my desk, I work from it, and it’s the same one that I’ve traveled to South America and Europe with. It’s simple, clean and reliable and I have all my colors right there for me when I need them. When I’m ready to work on another project and need to clear my desk space or take it with me, they are easily whisked away or tossed in my bag. It holds 28 of my most used colors, and has lots of room for mixing, so I always have an extra tube of white with me. There’s also this amazing Niji waterbrush my Mom discovered and sent me a few years ago, it’s brilliant for travel!

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

Like pencils, I’m not picky to any one type, everything changes depending on the project or mood. Right now I’m using this small square sketchbook, the Co-Mo Sketch 6 x 6 with heavy weight paper that takes wet media because the size is so easy to take with me. Oddly enough though, most of my best ideas and sketches come from tiny scraps of papers that I find while I’m not around my materials or have anything with me and I make do with the back of something I find… napkins, flyers, anything. Then I take it back to my desk and expand from there. You never know when inspiration will strike! I think it’s important to stay flexible and adaptable, able to work with anything.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

All surfaces excite me. I’ve painted on glass, discarded wood, prepped canvas, linen, cardboard, fabric…

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

I have experimented with working pieces that way, and I really enjoyed it! But I’ve found that lately, the most digital my work gets is when it’s scanned. I guess like to get my hands messy and into the materials.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Alexander Calder’s use of industrial metals in his jewelry has always given me more bravery. And reassured my belief that artists shouldn’t be turned off to anything that isn’t precious or seen as what only the professionals use. I think finding and giving meaning to vision is what the artist is all about, no matter what the material.

Do you have anything you use out of the ordinary for making your art?

Oh yes. Many times my jewelry is created from something offbeat and unconventional, not typically meant for jewelry. Travel really fuels my interest and ideas for wearable art. I’ve used enamel address numbers found at street antique markets, miniature train set figures, old charms that are typically hung on candles or alters to offer to saints in Mexican cathedrals… I like that challenge that jewelry designing proposes: there is always something new.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

I really appreciate any way that art comes into form, whatever the method of expression, I believe everything serves the artist as a vehicle to arrive at their unique voice. Sometimes you hear about certain artists who eliminate certain modes of expression, like the photographer who sneers at digital cameras or the painter who finds acrylics to be too synthetic… I agree that we all have preferences, but I wonder why turn off those opportunities? The same is true for the internet… it’s a wonderful tool to magnify and connect in what we do. Blogs revolutionized the art world, and its audience, there’s no questioning that! It’s awesome.

Thanks Jenny!

Jenny Vorwaller can be found online at her weblog true nature, and her portfolio site jvorwaller.carbonmade.com. Prints of her photos and artwork can be found at HER Studio, and her jewelry at Natural Historie.

What are some of your favorite drawing tools (pens, pencils, markers, drawing tablet, all of the above)?

I always start with graphite pencil. It is the base of my work and, for me, the fundamental step in all the illustrations I make (no matter if they will end up being digital or traditional). Then, on my canvas paintings, I like to work with acrylics, on my works on paper, watercolour pencils and markers and if I choose to go digital, Photoshop is the one and only for me.

If you have a wide collection, how do you decide on which to use on a particular drawing, project, or day?

Usually it depends on the time I’m planning to spend working on the illustration. Most frequently I choose to colour it digitally. I don’t have a large space to work at home so, making it in the computer turns out to be a lot easier. Also, another big reason for me to take the digital way is that I’m so lazy. One doesn’t have to clean and wash all the brushes and paint stuff after a digital work session.

For more elaborated works or those in which I have a special interest, I usually go with acrylics, sometimes watercolour pencils. This doesn’t mean that the digital ones are less important to me, it’s more about my mood in each moment.

If you prefer pens, is there any particular brand, color, or type of ink you like best?

I have a huge collection of Stabilo point 88. They are available in a lot of colours and they are so cheap too (about 0,60€ ? each). Most of the Moleskine sketches I did during my college years were done with them. It has been a long time since the last time I used them for an illustration, but I don’t think this is a permanent situation. I’m sure someday in a near future my interest in them will reawaken.

How do you like your color? Watercolor? Acrylics? Oil? Colored pencils? Markers?

Acrylics, undoubtedly. Since I found them, while I was a student, it has been a true love relationship. I can do anything I imagine with them. They have bright colours, dry fast, are water-soluble, and they don’t have that intense smell of oil painting. Also, they allow me to work fast and, if needed, to make a lot of corrections during the process.

If you do use paints, inks, pencils, or markers for coloring, are there any in particular that are your favorites? Do you prefer travel sets of paints to a full set?

In acrylics, I like Amsterdam. They have a great price/quality relation. I use them with synthetic fiber round brushes.

If we talk about pencils, I adore the Faber-Castells, both graphite and colouring ones.

In graphite, I like the Grip series. I use the regular ones, not too hard, not too soft.

In colours, I choose always the watercolour ones, even If I’m not going to use water with them. In my experience, I found out that they are softer and give more vivid colours.

Is there any particular type of notebook or drawing pad you prefer? Or does any scrap of decent-sized paper work in a pinch?

Well, I like the plain Moleskines a lot (and I have a shelf loaded with them), but there is a problem with “Molleys”: they are a little too expensive. Fortunately, a lot of brands are starting to make their own version of the famous black notebooks, and I’ve found a few models with the same good quality at more affordable prices.

If you paint, is there any particular type of canvas you prefer? Do you like to paint on wood or any other materials?

I love to paint on wood. My home is full of plankets and wood pieces that I collect from everywere (furniture parts, boxes, etc). If it has a clean surface with no marks and it is made with natural wood, I mean, the one that has those beautiful tree streaks, then, it’s perfect for me. I just prepare it with sandpaper, and, sometimes, a thin layer of gesso.

Do you ever do any kind of post-processing (like adding color in Photoshop or similar tool) to your drawings?

Yes. As I said above, I like the digital process as much as the traditional. It allows infinite possibilities of colour adjustments, retouching and effects, plus the advantage that you can step back and choose from different versions of the same work.

Sometimes, when I am making a non-digital work and I make a mistake, I have to think twice to realize that I can’t type “ctrl+z” to fix it. I know it sounds stupid, but I’m sure I’m not the only one who has suffered this silly syndrome at one moment.

Have you ever tried a new pen (or paper, etc) from reading about it, or seeing the results in another artist’s work?

Yes, of course. I am always looking for inspiration on the internet or in the portfolios of other artists, and yes, sometimes I’ve tried by myself some of the techniques and tools I’ve seen there. The issue is that, in my case, very rarely I adopt the working method of someone else, or the use of a new material, as mine. I guess the pure copy is not for me, I have to adapt everything to my style and if it just doesn’t work, I soon forget it and carry on.

If you create purely-digital art, what are the software programs you use? Is one used more than another?

I use Photoshop more than any other. It has everything I need to make a good work so I don’t waste time trying other programs. The only exception is when I need to make a vector illustration (usually for web and graphic designs), then I use Freehand and Adobe Illustrator. I enjoy vector illustrations very much. I’m not sure why I don’t use them more often.

I asked about post-processing on a computer, but do you think the computer is a helpful tool for making art? Whether it’s looking for inspiration online, or using it to build a weblog to promote yourself and your art, do you think a computer is necessary, helpful, or a distraction (or all of the above)?

It is once and for all a help for me. As a tool, as a way of self promoting and of course as an infinite resource of inspiration and knowledge. Maybe a few years ago there were still some doubts about this subject, but I don’t think there’s still anyone that thinks the computers are not useful in the artists work nowadays.

Thanks Verónica!

You can visit Verónica Navarro Castillo online at her website and portfolio poorsailor.es, her weblog Sailing Sailing, or on Flickr (poorsailor).

Verónica also shares an Etsy shop with her boyfriend, Corcoise, where they sell prints of their work among other handmade stuff.